Broadway 1 - Le fantôme de l'opéra, 2024
Marion Jdanoff  

Painting : Watercolour, gouache · 32 x 24 cm 12.6 x 9.4 inch · Ready to hang

€750 750 €
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Shipped from: France

Delivery to: France , € 29

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

32 x 24 cm 12.6 x 9.4 inch Height x Width x Depth

Artwork dimensions including frame

47 x 37 cm 18.5 x 14.6 inch

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Description

This unique and imaginative watercolor presents a scene entitled "Ghosts in the Opera House." The composition focuses on a stylized theatrical facade, where imposing columns frame a scene of mystery. The title is inscribed in handwritten typography on the pediment of a building reminiscent of an ancient temple. The vivid, fluid colors, dominated by shades of blue, green, and ochre, underscore an atmosphere of strangeness and dreaminess. A sun and moon appear in opposite corners, suggesting a day-night duality and reinforcing the dreamlike quality. The central cube, covered in abstract red patterns, intrigues and invites interpretation. Through its simplified forms and bold colors, the work plays between abstraction and figuration, creating a striking visual dialogue that stimulates the viewer's curiosity and imagination.

Architecture

Beige

brown

Marion Jdanoff, Broadway 1 - Le fantôme de l'opéra
France  • 1981

Presentation

Marion Jdanoff, self-taught artist, claims to be part of a collective adventure and does not believe in individual genius. She looks a lot at other autodidacts, anonymous, non-institutional, rock paintings, copyist monks, folk art, Hokusai, Matisse ...

In 2012, she left for Berlin and formed there with Damien Tran the duo “Palefroi”. Why created this entity? By working together, they had to get out of their comfort zones, to try things they would never have tried This becomes a field of experimentation and what they test together will then feed their individual practices.

Together they have developed a taste for spontaneous gesture, the rough, the wrong done, the energy of the line. They prefer it to be rough but alive.

COVID goes through there and back to France for the duo: Damien in the Massif Central and Marion in the Alps.

She then resumes alone the practice of these drawings which speaks of everyday, personal things, without any heroism.

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