Le loup, le serpent et l'oiseau, 2024
Painting : Watercolour, gouache · 32 x 24 cm 12.6 x 9.4 inch · Ready to hang
$875
875 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 91
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
32 x 24 cm 12.6 x 9.4 inch Height x Width x Depth
Artwork dimensions including frame
47 x 37 cm 18.5 x 14.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork depicts a dynamic and symbolic scene of the wilderness. At its center, a large white animal, likely a wolf, is shown with distinct red spots, adding a vibrant dimension to the image's earthy color palette. Below, a sinuous snake, detailed with spiral patterns, evokes fluid and menacing movement. In the background, abstract hills and stylized bodies of water lend depth and mystery to the composition. The presence of the white bird above may symbolize freedom or vigilance. The bold strokes and strong contrasts between the animals' brilliant white and the earthy tones of the surroundings create a compelling visual tension. This work masterfully captures the raw energy and subtle balance of nature.
Presentation
Marion Jdanoff, self-taught artist, claims to be part of a collective adventure and does not believe in individual genius. She looks a lot at other autodidacts, anonymous, non-institutional, rock paintings, copyist monks, folk art, Hokusai, Matisse ...
In 2012, she left for Berlin and formed there with Damien Tran the duo “Palefroi”. Why created this entity? By working together, they had to get out of their comfort zones, to try things they would never have tried This becomes a field of experimentation and what they test together will then feed their individual practices.
Together they have developed a taste for spontaneous gesture, the rough, the wrong done, the energy of the line. They prefer it to be rough but alive.
COVID goes through there and back to France for the duo: Damien in the Massif Central and Marion in the Alps.
She then resumes alone the practice of these drawings which speaks of everyday, personal things, without any heroism.
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