On se sent bien entouré dans ce massif, 2024
Painting : Watercolour, gouache · 32 x 24 cm 12.6 x 9.4 inch · Ready to hang
CHF 722
722 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 53
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
32 x 24 cm 12.6 x 9.4 inch Height x Width x Depth
Artwork dimensions including frame
47 x 37 cm 18.5 x 14.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This intriguing artwork presents a surreal juxtaposition of natural and fantastic elements. Green, pyramid-like trees stand atop white humanoid forms that seem to blend into a dreamlike landscape. In the foreground, a small brick house with a blue roof adds a touch of reality to this imaginary universe. The intense red background, dotted with stars and a yellow crescent moon, reinforces the mystical atmosphere of the scene. The bold use of colors and fluid shapes creates a dynamic between nature and the human figure, suggesting harmony and fusion. This painting captures attention through its balance between dream and reality, while offering a reflection on the interconnection between humanity and its environment.
Presentation
Marion Jdanoff, self-taught artist, claims to be part of a collective adventure and does not believe in individual genius. She looks a lot at other autodidacts, anonymous, non-institutional, rock paintings, copyist monks, folk art, Hokusai, Matisse ...
In 2012, she left for Berlin and formed there with Damien Tran the duo “Palefroi”. Why created this entity? By working together, they had to get out of their comfort zones, to try things they would never have tried This becomes a field of experimentation and what they test together will then feed their individual practices.
Together they have developed a taste for spontaneous gesture, the rough, the wrong done, the energy of the line. They prefer it to be rough but alive.
COVID goes through there and back to France for the duo: Damien in the Massif Central and Marion in the Alps.
She then resumes alone the practice of these drawings which speaks of everyday, personal things, without any heroism.
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