Sub (XI), Circa 2012
Painting : acrylic · 165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch · Ready to hang
$3,477
3 477 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 221
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
165 x 30 x 1.9 cm 65 x 11.8 x 0.7 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This painting depicts a scene where a slender white hand reaches for an ethereal green crescent moon. The work is distinguished by its striking contrast between the dark background and the vibrant bursts of color, particularly blue and green. Swirling patterns evoke natural elements, adding a dynamic dimension to the piece. Fluid, undulating lines surround the center, reinforcing the impression of movement and mystery. The expressive style and bold color palette create a dreamlike, almost mystical atmosphere, inviting the viewer to contemplate the connection between humanity and the cosmic elements. The skillful use of light and shadow accentuates depth and texture, giving the whole an almost surreal quality. The interplay of forms suggests a quest for transcendence and cosmic balance.
Presentation
Lazare Cobalt is a French painter whose work lies at the crossroads of introspection, inspiration, and intuition.
Through his inner wanderings, he draws on the rarities of painting, literature, architecture, and cinema to compose layered works, where each layer diffuses ideas, emotions, and evocations. After a long gestation, a form of sublimation emerges, like a shared revelation.
His art is born from a secret conversation between mind, heart, and hands, a strange alchemy that reveals itself on the canvas. For him, painting is not merely a quest for visual seduction, but a persistent excavation of a buried truth, like an invitation for the observer to immerse themselves in their own depths, to the point of obsession.
His creation, both intimate and universal, works on the principle of communicating vessels: once exhibited, the work can resonate with the viewer.
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