Le chahut après le bœuf, 2024
Marion Jdanoff  

Painting : Watercolour, gouache · 32 x 24 cm 12.6 x 9.4 inch · Ready to hang

$875 875 $US
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Shipped from: France

Delivery to: United States , $ 91

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

32 x 24 cm 12.6 x 9.4 inch Height x Width x Depth

Artwork dimensions including frame

47 x 37 cm 18.5 x 14.6 inch

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Credentials

Vetted seller since 2015 • Top Seller

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Description

This bold and vibrant work presents a stylized anthropomorphic figure supporting a majestic bull. The vivid colors, dominated by shades of orange, blue, and green, draw the eye and create a sense of dynamism. Fluid lines and undulating forms add an organic dimension to the scene. The bull, rendered with simplified details, evokes strength and power, contrasting with the bearer's slender silhouette. Stylized floral elements surround the figures, injecting a note of nature and harmony. This juxtaposition of man and beast symbolizes an unbreakable bond between humans and animals. The bold use of color and abstract forms brings out the artist's boundless imagination, offering a fresh and imaginative interpretation of the relationship between nature and humanity.

Marion Jdanoff, Le chahut après le bœuf
France  • 1981

Presentation

Marion Jdanoff, self-taught artist, claims to be part of a collective adventure and does not believe in individual genius. She looks a lot at other autodidacts, anonymous, non-institutional, rock paintings, copyist monks, folk art, Hokusai, Matisse ...

In 2012, she left for Berlin and formed there with Damien Tran the duo “Palefroi”. Why created this entity? By working together, they had to get out of their comfort zones, to try things they would never have tried This becomes a field of experimentation and what they test together will then feed their individual practices.

Together they have developed a taste for spontaneous gesture, the rough, the wrong done, the energy of the line. They prefer it to be rough but alive.

COVID goes through there and back to France for the duo: Damien in the Massif Central and Marion in the Alps.

She then resumes alone the practice of these drawings which speaks of everyday, personal things, without any heroism.

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