L’un contre l’autre, 2026
Painting : oil, acrylic, marker · 116 x 81 x 2 cm 45.7 x 31.9 x 0.8 inch · Ready to hang
$2,308
2 308 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 389
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
116 x 81 x 2 cm 45.7 x 31.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This captivating work presents two boldly stylized humanoid figures, reminiscent of the Neo-Expressionist movement. On the left, a pale-skinned face features a large violet eye, contrasted by red lips and a discreet heart on the chest, adding an emotional dimension. On the right, a blue-skinned figure with spiky hair draws the viewer in with its piercing, multicolored gaze, accompanied by a red mouth expressing intensity and vigor. The features are deliberately exaggerated, creating a raw and immediate aesthetic. The textured background blends various earthy tones and bursts of light, enriching the composition. The interplay between the vibrant colors and geometric shapes lends the work a dynamic that is both chaotic and harmonious, underscoring its unique character. This painting, through its expressiveness and bold aesthetic, invites reflection and sparks undeniable curiosity.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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