La curée et le testament, Circa 2020
Painting : ink · 80 x 110 x 0.1 cm 31.5 x 43.3 x 0 inch
€4,200
4 200 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 107
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 110 x 0.1 cm 31.5 x 43.3 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018
Description
This painting presents an intriguing scene where abstract, human-like figures intertwine in a confined space. The muted white background makes the brown silhouettes with their irregular contours stand out. The figures seem to be engaged in a silent dance, their arms and legs forming surprising angles. The minimalist, round, white eyes immediately capture the viewer's attention. Each figure, while evocative of humanity, lacks realistic detail, creating an enigmatic and primal atmosphere. The striking contrast between colors and geometric forms lends the work a unique dynamism. This composition is distinguished by its raw and expressive visual language, inviting profound reflection on non-verbal communication and humanity's relationship to its environment.
Presentation
Categorizing Logovarda is complex but above all useless. Art brut? Singular art? Without doubt, but very reductive. Expressionist. Yes, without doubt, but beyond that. In Logovarda, what immediately strikes one is this visceral desire to seek, understand and stage this scriptural perception of our human nature. This totally labyrinthine work is the very meaning of Desire. Desire to cross the thicknesses of our gaze, of our capacities to cross the River. We must become a ferryman with him, follow Ariadne's thread, even if it means getting lost.
Logovarda's work impresses, in the physical, almost anatomical sense of the term, both by the strength of the "writing" and by his offbeat and humorous way of staging these disjointed, stretched characters, real puppets that life plays out. Yes, the artist's often painful labyrinths plunge us into the power of the myth, immerse us in it. There is a form of powerful expressionism that draws on the very ancient narratives of Man and carries us away.
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