Head#01, 2025
Olesya Gonserovskaya  

Painting : Watercolour · 41.5 x 30 x 0.1 cm 16.3 x 11.8 x 0 inch

$538 538 $US
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Shipped from: Germany

Delivery to: United States , $ 71

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

41.5 x 30 x 0.1 cm 16.3 x 11.8 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2025

Description

These are the faces of my peers, bright and vivid, reflecting an age full of opportunities and bold ideas. Yet, the challenges of our time, social and climate crises, are etched into them as well, present both in our expressions and in our thoughts. This is our fate, our burden, the call of our era. Hiding from it is no solution. So here we stand, in a unique mix: a party-coloured background overlaid with a bitter, oily-black film that touches everything.

Olesya Gonserovskaya, Head#01
Spain  • 1987

Presentation

Olesya Gonserovskaya (b. 1987, Leningrad) is an interdisciplinary artist currently based in Spain and working worldwide. Her practice combines installation, video, performance, drawing, sculpture, and textile-based assemblage, often involving materials with their own agency, such as plants, ink, organic matter, and solar energy. She explores how ecology, psychology, and anthropology intersect with cultural codes and symbols, questioning their relevance in today's context.

Olesya is a member of the art group de_colonialanguage. Her solo projects have been presented in Armenia, Montenegro, Georgia, and Russia, while her group exhibitions include institutions and festivals in Germany, the Netherlands, Estonia, India, South Korea, the USA, and other countries. Her works are held in the collections of the Anna Akhmatova Museum, CICA Museum (South Korea), and the Ria Keburia Foundation (Georgia), as well as in private collections internationally.

She studied Monumental Arts at the St. Petersburg Academy of Industrial Arts (2015), completed the Pro Arte Institute program for young artists (2018), and graduated from the Rodchenko Art School in Media Arts (2022). This trajectory shaped her interdisciplinary approach: academic training gave her a sense of scale and form; Pro Arte encouraged research into social and anthropological contexts; and Rodchenko expanded her language into multimedia and digital formats. Together, these experiences underpin a practice that seeks to create open artistic forms — resisting fixed interpretations and inviting the viewer into a space of choice, humor, and individual experience.

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