Woman and Child, 2022
Gerda Van Damme  

Painting : oil · 180 x 140 x 2.5 cm 70.9 x 55.1 x 1 inch

$5,951 5 951 $US
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Shipped from: Belgium

Delivery to: United States , $ 302

Estimated delivery: Two months

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

180 x 140 x 2.5 cm 70.9 x 55.1 x 1 inch Height x Width x Depth

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Description

This figurative oil painting blends nostalgic realism with a vintage atmosphere, capturing a tender moment of connection and play. The contrast of light and shadow highlights the intimate, fleeting energy between the figures—perhaps a mother and daughter, or a woman encountering her younger self. Their subtle gestures evoke trust, innocence, and emotional depth.

The presence of the old photographer's set, from which the woman seems to step forward, adds refinement and a touch of storytelling. The work radiates a quiet yet compelling energy, bringing timeless human bonds and a sense of warm memory into any interior.

The piece belongs to The Way We Were, a series that revisits intimate memories and explores how affection, nostalgia, and the passage of time shape our emotional landscapes.

This work is shipped in a crate.

Gerda Van Damme, Woman and Child
Belgium  • 1964

Presentation

Gerda Van Damme is a Belgian visual artist working across painting, installation, video, and digital media, whose practice explores the layered territories of memory, perception, and the unseen. Her work investigates how images carry traces of lived experience—how they fracture, persist, and reassemble across time. Through subtle distortions, archival references, and a precise yet poetic visual language, Van Damme creates works that oscillate between observation and reconstruction, inviting viewers into a space where the familiar becomes quietly estranged.

Van Damme received her Painting Certificate with Great Distinction from the Académie Alphonse Darville in Charleroi (Belgium). She further refined her technical and conceptual approach through advanced workshops with a.o. Antonio López García, Andrés García Ibáñez, and Toña Gómez, deepening her engagement with observational realism, spatial ambiguity, and the psychological resonance of imagery.

Her work has been exhibited internationally in Italy, Spain, Germany, the Netherlands, Belgium, and the United States, including presentations at the Arsenale in Venice (Arte Laguna Prize, twice), HB55 Kunstfabrik in Berlin, the Undo Arts Center in Brooklyn, MECA Mediterráneo Centro Artístico in Almería,the Palacio de Viana in Cordoba, WG Gallery in Dordrecht, and multiple Belgian cultural institutions. She has been selected as a finalist for major juried competitions such as the Arte Laguna Prize, the Biennale de l'Art Pierre Paulus, the Prix des Arts Plastiques et Visuels du Waux‑hall, the MiniARTures International Contest, and the Prix de la Peinture de Woluwe Saint‑Pierre. In 2025, she received the Audience Prize and Jury Mention at the Prix des Arts Plastiques et Visuels du Waux‑hall.

Her practice has been supported by grants from the Fédération Wallonie‑Bruxelles, the Province of Hainaut, the City of Charleroi, and the Eden Cultural Center, notably for her work with the artists' collective and for the curation of contemporary art projects such as and .

Van Damme works within shifting landscapes—geographical, emotional, and mnemonic. This duality informs her sensitivity to the quiet intensities of the everyday: the overlooked, the peripheral, the nearly‑forgotten. 

Her works are held in private collections in Belgium, Spain, Germany, France, Dubai and the United States.

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