2 Score, 2025
Hunt Slonem   Famous Artists

Painting : oil, canvas · 61 x 50.8 x 2 cm 24 x 20 x 0.8 inch · Ready to hang

€16,000 16 000 €

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Shipped from: France

Delivery to: Germany , € 82

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

61 x 50.8 x 2 cm 24 x 20 x 0.8 inch Height x Width x Depth

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Description

wo rabbits stand side by side, ears raised, gazing out at the viewer. In , Hunt Slonem returns to his most celebrated subject with a pairing that is both playful and tender. The bunnies are drawn in thick, confident strokes of black paint and seem to lean gently toward each other, like companions sharing a quiet moment.

The background is split in two. On the left, a metallic silver-gold field is shot through with cobalt blue. On the right, a warm gold glows with bright yellow. Across both, Slonem has scored a dense grid into the wet paint, his signature crosshatched technique, which gives the work its title. The incised lines catch the light and shift as the viewer moves, turning the surface into something closer to woven metal than flat paint. Touches of colour echo the background: blue eyes for the rabbit on the left, yellow for the one on the right, and fine silver and gold whiskers.

Slonem, born in 1951, is one of the most recognised American painters of his generation. His work is held in major museum collections, and his rabbits are his most iconic image. He paints them in series, much like a mantra, and has described the repetition as a meditative, almost devotional practice. Each work is painted by hand and none is identical. That makes , with its paired figures and luminous two-tone ground, a striking example of the series.

Hunt Slonem, 2 Score

Hunt Slonem

United States  • 1951
93 followers

Presentation

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct Neo-Expressionist style. He is best known for his series of rabbits, butterflies, and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic houses. Slonem's works can be found in the permanent collections of 250 museums worldwide, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.

Since his first solo exhibition at the Fischbach Gallery in 1977, Slonem's work has been shown hundreds of times worldwide, most recently at the Museum of Modern Art in Moscow and the State Russian Museum in St. Petersburg. In 2017 and 2018, he will be featured at the National Museum of the Republic of Kazakhstan, the National Gallery of Bulgaria, and countless galleries in the United States, Germany, and Dubai.

His flair and admiration for far-flung destinations have been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father's position as a naval officer meant the family moved frequently during Hunt's formative years, including extended stays in Hawaii, California, and Connecticut. He would continue to seek out travel opportunities throughout his younger years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style.

After graduating from Tulane University in New Orleans with a degree in painting and art history, Slonem spent several years in the early 1970s in Manhattan. It wasn't until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began to be exhibited in New York City, boosting his reputation and propelling him into the city's explosive contemporary art scene. He has received several prestigious grants, including from Montreal's Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation's Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years.

As Slonem refined his aesthetic, his work began to appear in unique contextual spaces. In 1995, he completed a massive six-foot-by-86-foot bird mural spanning the walls of the Bryant Park Grill restaurant in New York City. His charitable work has led to dozens of partnerships, including a wallpaper of his famous rabbits designed specifically with Lee Jofa for the Ronald McDonald House on Long Island.

Slonem continues to draw extensive inspiration from history, forging palpable connections to the past through his art. His popular portraits of Abraham Lincoln reframe the historical figure as a pop art icon, and he is currently working on a nine-foot-tall bronze sculpture of French explorer Robert De La Salle, which will be publicly exhibited in Louisiana.

Yet Slonem's most ambitious project has been his mission to save America's often-forgotten historic buildings. Realizing that too many of the country's architectural gems have fallen into disrepair, Slonem found himself drawn to these national landmarks, inspired by their timeless depth and bygone beauty. His accomplishments include the restorations of Cordt's Mansion in Kingston, New York; Louisiana plantations on the lakefront and in Albania; and the Scranton Armory and Charles Sumner Woolworth's mansion in Scranton, Pennsylvania. His sixth and most recent endeavor is Belle Terre, a legendary estate in South Kortright, New York.

Numerous books and monographs have chronicled Slonem's art, including Bunnies (Glitterari Inc., 2014), Birds (Glitterati Inc., 2017), and Hunt Slonem: An Art Rich and Strange (Harry N. Abrams, 2002). His studios and homes have been profiled in books such as When Art Meets Design (Assouline Publishing, 2014) and Pleasure Palaces: The Art and Homes of Hunt Slonem (powerHouse Books, 2007), among others. His latest is Gatekeeper: World of Folly (Assouline, 2018), featuring his reclamation of the Scranton Armory and his transition "from guns to art."

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