Diptych cycles, 2025
Patricia Pierre Gomez Baranda  

Painting : oil · 92 x 130 x 3 cm 36.2 x 51.2 x 1.2 inch · Ready to hang

€2,080 2 080 €

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Shipped from: France

Delivery to: Spain , € 150

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

92 x 130 x 3 cm 36.2 x 51.2 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2024

Description

Artist Patricia Pierre Gomez Baranda is proud to present her latest collection, "". This series explores the profound imprints left by civilizations on the living world, offering a sensorial journey through time. Here, painting becomes both memory and a dialogue between humanity and nature.

Cycles I and II
Inspired by the dry-stone huts of the scrubland, this diptych depicts the continuous thread of stone: extracted from the earth, it returns to it in another form. These dry-stone constructions, built without mortar, are the product of precise craftsmanship. Humans do not dominate nature: they work with it, leaving a reversible and ephemeral imprint.

Abstract

Landscape

Rocks

Beige

Sky blue

Patricia Pierre Gomez Baranda, Diptych cycles
Mexico  • 1971

Presentation

Born in Mexico and living in France, Patricia Pierre Gomez Baranda considers herself a citizen of the world, deeply committed to tolerance and diversity. She creates abstract and expressive works where colors, shapes, and textures form the core of her artistic language. With an acute sensitivity, she conveys emotions through the joys of everyday life, universal beauty, and social or historical reflections.

Patricia invites you to contemplate and reflect with creations that emphasize expression over perfection.

Her watercolor and oil paintings draw energy from Van Gogh's brushstrokes, Turner's storms, and the intensity of Orozco's murals.

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