Altération, 2025
Painting : oil · 130 x 97 x 2 cm 51.2 x 38.2 x 0.8 inch · Ready to hang
€4,000
4 000 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany Free delivery
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
130 x 97 x 2 cm 51.2 x 38.2 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
Presentation
Born on February 3, 1995, Bryan Magnin-Feysot has developed a practice grounded in inspiration and perseverance.
Initially introduced to charcoal, he learned to work with the interplay of light and shadow. He then turned to oil painting, a medium that allows him to shape his subjects over time and explore a richness of color beyond black and white.
Influenced by classical chiaroscuro, he composes images with strong contrasts, creating a constant tension in his canvases.
His painting is based on the transformation of the figurative: the dense, organic matter gradually invades the form. The body then becomes a support, allowing a more abstract presence to express itself.
Without narrative or ideological message, his work seeks neither to denounce nor to advocate. It offers a direct and frontal encounter with the image: a presence in tension, where abstract matter takes precedence over the body itself.
Initially introduced to charcoal, he learned to work with the interplay of light and shadow. He then turned to oil painting, a medium that allows him to shape his subjects over time and explore a richness of color beyond black and white.
Influenced by classical chiaroscuro, he composes images with strong contrasts, creating a constant tension in his canvases.
His painting is based on the transformation of the figurative: the dense, organic matter gradually invades the form. The body then becomes a support, allowing a more abstract presence to express itself.
Without narrative or ideological message, his work seeks neither to denounce nor to advocate. It offers a direct and frontal encounter with the image: a presence in tension, where abstract matter takes precedence over the body itself.
Reviews from our customers
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