N° 1293 Célébration vibrante au carré., 2025
Painting : oil · 60 x 60 x 2 cm 23.6 x 23.6 x 0.8 inch
€1,200
1 200 €
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 25
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 60 x 2 cm 23.6 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
It's clear the artist is presenting us with the canvas as she saw it upon leaving the fabulous Anna Arendt Library. The reality of her experience unfolds in a jumble of captured scenes, dreamlike and recomposed within an expanded space-time continuum. The lanky reader, recently encountered with his stack of books, is sketched in monochrome on one side of the reception desk, and it is indeed hanging frames that the newly arrived teenagers seem to be contemplating! As for the backs of the seats below, they are treated like candies ready to be sucked! Finally, one appreciates in this work the warmth of the colors, the treatment of the figures captured in a moment, and the consistently elegant composition, even when it seems on the verge of succumbing to its own abundance.
Presentation
"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.
The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.
The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.
The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.
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