Les Partitions du temps - Série L'Ombre des fleurs, 2025
Painting : acrylic · 30 x 24 x 2 cm 11.8 x 9.4 x 0.8 inch · Ready to hang
€700
700 €
Shipping & delivery
Shipped from: France
Delivery to: Italy , € 60
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 24 x 2 cm 11.8 x 9.4 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
This vibrant artwork, dated 2025, depicts an abstract flower with exuberant, multicolored petals. Dominated by shades of green, the composition is subtly accented with touches of deep red and purple, creating a powerful contrast. The fluid outlines and color gradients convey a sense of movement, as if the flower were dancing across the canvas. The bold color choices and slightly off-center perspective captivate the viewer and invite a deeper exploration of every detail. The artist's signature in the lower right corner adds a personal touch and authenticates the work. The piece embodies a harmonious fusion of nature and abstraction, highlighting a delicacy and strength that draw the viewer in. It is a bold visual celebration, reflecting boundless creativity.
Presentation
My artistic approach has not been linear: there have been several stages.
I graduated from the Ecole des Beaux-Arts in Geneva in 1971, then spent a year at the Ecole de l'Image in Epinal, followed by a Lissignol prize in Geneva, which enabled me to go to Paris to take a course in plastic arts at Paris VIII Vincennes.
I've always painted alongside my part-time teaching. Since 2008, I've devoted myself exclusively to painting.
What has constantly guided me in my work as a whole is learning to observe, reinterpret, internalise, transpose and improvise from experience, if possible to the point of metaphor in my paintings.
The small drawings, in permanent felt-tip pen, I let myself be guided by a playful aspect, unlike my paintings. I call them 'little data banks'.
In this 'small Data Banks', I have chosen to present to you
The Seven Deadly Sins (see heady), small, playful drawings in A 4 permanent biros and coloured pencil. There is no particularly religious intention.
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