Le Lys et la lune - Série L'Ombre des fleurs, 2026
Painting : acrylic · 30 x 24 x 2 cm 11.8 x 9.4 x 0.8 inch · Ready to hang
$811
811 $US
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Shipped from: France
Delivery to: United States , $ 103
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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Kristina Viera Wolf
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 24 x 2 cm 11.8 x 9.4 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
This captivating work is an abstract interpretation of a flower, employing a subtle blend of pastel colors and fluid forms. Soft hues of blue, purple, and white dominate the composition, lending an ethereal and delicate atmosphere. Each brushstroke appears carefully placed, creating blurred outlines that evoke the movement and natural grace of the petals. Touches of pink and green add another dimension, accentuating the floral details. The juxtaposition of organic forms and luminous shades underscores a visual harmony, inviting the viewer to reflect deeply on the ephemeral beauty of nature. The artist's unique style is evident in the bold use of light and shadow, enhancing the impression of depth and elegance. This painting is a celebration of lightness and natural vitality.
Presentation
My artistic approach has not been linear: there have been several stages.
I graduated from the Ecole des Beaux-Arts in Geneva in 1971, then spent a year at the Ecole de l'Image in Epinal, followed by a Lissignol prize in Geneva, which enabled me to go to Paris to take a course in plastic arts at Paris VIII Vincennes.
I've always painted alongside my part-time teaching. Since 2008, I've devoted myself exclusively to painting.
What has constantly guided me in my work as a whole is learning to observe, reinterpret, internalise, transpose and improvise from experience, if possible to the point of metaphor in my paintings.
The small drawings, in permanent felt-tip pen, I let myself be guided by a playful aspect, unlike my paintings. I call them 'little data banks'.
In this 'small Data Banks', I have chosen to present to you
The Seven Deadly Sins (see heady), small, playful drawings in A 4 permanent biros and coloured pencil. There is no particularly religious intention.
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