Bronze Sculpture for Sale
Ciseaux,
2026
Apo
Painting : pastel
21 x 14.8 x 0.05 cm 8.3 x 5.8 x 0 inch
€100
100 €
Secure delivery : France
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Shipping : Less than one week
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About the artwork
Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
21 x 14.8 x 0.05 cm 8.3 x 5.8 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This artwork, a pastel drawing, depicts a pair of scissors with striking simplicity. The thick black lines perfectly capture the object's form and function, highlighting the rounded contours of the handles and the tapered blades. The absence of color accentuates the raw, minimalist aspect, lending depth to the pastel texture. The contrast between the off-white background and the bold strokes gives the everyday object a commanding presence. This work embodies a dichotomy between the banality of the object depicted and the artistic subtlety with which it is brought to light. The drawing evokes both simplicity and complexity, transforming a utilitarian tool into an artistic expression that captivates the viewer with its boldness and clarity.
About the seller
Professional art gallery • France
Artsper seller since 2021
Vetted Seller
This seller rewards your purchases of multiple artworks
Collector’s Guide
Discover more by the artist
Presentation
In the era of networks saturated with images and discourses, Suzanne Cara-Apo, known as "Apo", chooses another path: the raw gesture, the trace, the void.
His works, created in ink or acrylic, seem to evoke a forgotten language, somewhere between abstraction and suggestion. There's no message to decode here: each sign is a presence, each form a breath. White isn't just a void: it's active silence, contained tension, breathing.
Her work is part of the tradition of gestural abstraction, which she subverts with a resolutely contemporary sensibility. Halfway between painting, calligraphy, and mental archaeology, each work stands on the edge—between mastery and abandon, between symbol and material.
Apo's work cannot be interpreted. It must be felt. It opens up a free, shifting space, where everyone is invited to project their own, necessarily subjective, interpretation. The artist invites us to slow down and look differently.
Rarely present at fairs or institutional exhibitions, Apo favors a discreet but consistent practice, faithful to a sincere and spontaneous approach. A choice of assumed independence, which detracts in no way from the strength of his work, collected in numerous countries for nearly twenty years.
Gestural Abstraction
Painters
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