Bronze Sculpture for Sale
Painting : acrylic
106 x 81 x 3.4 cm 41.7 x 31.9 x 1.3 inch
One of the last works available by this artist
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Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
106 x 81 x 3.4 cm 41.7 x 31.9 x 1.3 inch Height x Width x Depth
Support
Framing
Black floater frame
Artwork dimensions including frame
110 x 85 x 5 cm 43.3 x 33.5 x 2 inch
Artwork sold in perfect condition, framed, ready to hang
Artwork location: Australia
Bushfires in Australia are a natural occurrence that has significantly shaped the continent, causing widespread property damage and loss of both human and animal life. However, the bushfires of 2019/20 were exceptionally devastating, leaving a lasting impact on all those directly affected and witnesses.
'Fire Approaching' emerged as an artistic interpretation amidst the harrowing events of that 'black summer.' The presence of smoke and falling ashes during the creation of this painting inevitably bestowed upon it a profound significance, inspiring its title.
The colours and shapes come together in an abstract representation that portrays the relentless nature of the fires, driven by strong winds that threatened to consume the remaining untouched vegetation. The composition captures the intensity, chaos, and unpredictability of these natural disasters.
There's a dualistic and paradoxical relationship in fires as both devastating and transformative forces.
While fires have the capacity to inflict immense destruction, they also possess the power to bring renewal and rejuvenation to the natural world.
This tension between loss and resurgence becomes a visual study on cycles, resilience, and the quiet power of regeneration.
*Len Fox Painting Prize 2022 - Finalist
*London Art Fair 2025 - Exhibited
*Custom-made frame, interior finished with copper metallic leaf
About the seller
Independent artist • Australia
Vetted Seller
Celia Fernandez presents a fresh and original interpretation of contemporary geometric abstraction through her signature dot-based technique, a distinctive visual language that explores the dialogue between colour, form, and perception.
Her work reimagines the lineage of Op and kinetic art, merging it with a deeply introspective and spiritual dimension that reflects on human connection, emotion, and transformation. Each composition is both a visual and spiritual meditation, transforming the circle -one of humanity’s oldest and most universal symbols- into a language of energy, connection, and renewal.
For Fernandez, the act of creating is profoundly spiritual: the dot, as the fundamental point of all beginnings, becomes a metaphor for life itself, representing unity, eternity, and the continuous cycles of birth, death, and rebirth. Her paintings embody the belief that we are all part of something larger, vibrating within the same cosmic rhythm.
Grounded in precision and intuition, Fernandez’s practice bridges the rational and the emotional, the personal and the universal.
Her work captivates viewers through its digital-like precision, achieved entirely by hand, the remarkable balance of colour, and the boldness of its application—elements that combine to create a hypnotic visual experience that transcends the purely optical.
A finalist in several Australian art prizes, Fernandez’s work resonates for both its technical innovation and its ability to convey meaning that extends beyond perception.
Visually striking and conceptually grounded, her paintings invite quiet contemplation, where geometry becomes a vessel for spirituality and abstraction a bridge between the self and the infinite.
Experimental, original, intuitive, and playful, her work offers a distinctive and compelling contribution to contemporary art.
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