Bronze Sculpture for Sale
Residual Fragment 1, 2026
Painting : oil, acrylic, Textiles · 23 x 17 x 3 cm 9.1 x 6.7 x 1.2 inch
$821
821Â $US
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Shipped from: Georgia
Delivery to: United States , $ 91
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
23 x 17 x 3 cm 9.1 x 6.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic, oil, pigment & paper on Soviet-era biazi fabric
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Deep blue tones dominate this evocative composition. The depths suggest a cosmic void or a submerged landscape. Layered textures create a sense of geological time. The artist employs a profound material strategy. He uses Soviet-era biazi cotton salvaged from old domestic interiors. The fabric acts as a silent archive. It carries the ghosts of previous lives. Oil and acrylic merge with the textile surface. The process involves washing and layering to evoke a feeling of erosion. This approach mirrors the fading of collective memory. A ghostly white light emerges from the center. It breaks through the dark pigments like a distant star. The painting explores the psychological remnants of a past era. Every brushstroke interacts with the coarse weave of the reclaimed cloth. This creates a tactile tension between the physical support and the fluid paint. The result is a meditative study on disappearance and presence. Subtle shifts in shade reveal a complex interior world. The piece culminates in a delicate balance of transparency and density. Light filters through the pigments to highlight the raw grain of the textile.
Presentation
Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
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