Cadmium Red with Gold, 2026
Painting : oil, gold leaf · 70 x 70 x 4 cm 27.6 x 27.6 x 1.6 inch · Ready to hang
Shipping & delivery
Shipped from: Spain
Delivery to: Italy , € 150
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 70 x 4 cm 27.6 x 27.6 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
“Cadmium Red with Gold" is a powerful exploration of colour and geometry. This circular painting centers on a vibrant explosion of red. The composition radiates from a shimmering golden core. Textural layers create a sense of organic depth. Each brushstroke feels intentional and rhythmic. The palette shifts from deep crimson to bright scarlet. This creates a pulsing energy across the canvas. The gold leaf adds a touch of luminosity. It acts as a focal point of light within the saturated field. The round format evokes a celestial body or a blooming flower. It transforms the wall into a window of intensity. The interaction between the metallic gold and the matte pigments creates a sophisticated contrast. This artwork balances raw emotion with precise execution. The circular boundary contains the energy while suggesting an infinite expansion. Light plays across the surface to reveal hidden nuances of shade. The result is a meditative yet bold visual experience. The piece emphasises the purity of pigment and the strength of a singular form.
Born in the vibrant cultural hub of London in 1971, Chelsea Davine now calls the sun-kissed streets of Barcelona her home and artistic sanctuary. Drawing inspiration from the ephemeral beauty of everyday life, Davine's work captures the essence of fleeting moments and overlooked details. The art critic Alex Bahna said that Chelsea wanted to bring out the whole harmonious, elemental process in her work, or as she puts it: “Make something beautiful and delicate out of something as uncompromising as steel, stone, copper or lead." However it is not the purity and permanence of the metal that interests Chelsea, but how it ages. For her, metal is a canvas on which she studies the effect of time, water and oxygen - mixing diluted nitric and hydrochloric acid and using it to corrode the protective oily skin that preserves the surface of steel, then scratching it to encourage rust. From this, layer by layer, she creates three-dimensional abstracts 'paint sculptures' where textures and colours merge and change with alterations in the light.
Presentation
"Every painting I begin, the layers and texture continue to fascinate me as does the process. My subject matter remains the same, the material itself, the coast, the sea, lines of desire that criss-cross the landscape, time and its corrosive effect on materials and finding the beauty in what we see around us. The world filters into my studio, colour, light, politics, religion, people. Conversations remain with me, maps mesmerize me, travel enthuses me. Creating and painting is an imperative I couldn't live a day without.“
Reviews from our customers
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