Ombré con Oro, 2026
Chelsea Davine   New & remarkable Artists

Painting : oil, gold leaf · 100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch · Ready to hang

€3,100 3 100 €

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Shipped from: Spain

Delivery to: Germany , € 155

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2020

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This seller offers discount when you purchase multiple artworks.

Description

In “Ombré con Oro", deep reds collide with midnight blacks to create a sense of cosmic depth. At the center, a luminous core of gold erupts. This brilliance radiates outward in organic layers. The technique emphasizes texture and light. Gold leaf fragments catch the eye, shifting as the viewer moves. These metallic accents contrast sharply with the dark perimeter. The movement feels centrifugal. It suggests a celestial explosion or a blooming flower of fire. The circular format reinforces a feeling of unity and infinity. Each brushstroke adds to the tactile quality of the surface. The palette is limited but intense. Warm tones fight against the surrounding void. This creates a tension between light and shadow. The result is a meditative exploration of energy. The golden center acts as a focal point of purity and strength. It anchors the surrounding chaos of crimson hues. The artwork concludes in a seamless transition toward the dark edges of the tondo.

Born in the vibrant cultural hub of London in 1971, Chelsea Davine now calls the sun-kissed streets of Barcelona her home and artistic sanctuary. Drawing inspiration from the ephemeral beauty of everyday life, Davine's work captures the essence of fleeting moments and overlooked details. The art critic Alex Bahna said that Chelsea wanted to bring out the whole harmonious, elemental process in her work, or as she puts it: “Make something beautiful and delicate out of something as uncompromising as steel, stone, copper or lead." However it is not the purity and permanence of the metal that interests Chelsea, but how it ages. For her, metal is a canvas on which she studies the effect of time, water and oxygen - mixing diluted nitric and hydrochloric acid and using it to corrode the protective oily skin that preserves the surface of steel, then scratching it to encourage rust. From this, layer by layer, she creates three-dimensional abstracts 'paint sculptures' where textures and colours merge and change with alterations in the light.

Abstract

Geometric abstraction

Fall

Sky

Sunset

Abstract Minimalism

brown

United Kingdom  • 1971
60 followers

Presentation

"Every painting I begin, the layers and texture continue to fascinate me as does the process. My subject matter remains the same, the material itself, the coast, the sea, lines of desire that criss-cross the landscape, time and its corrosive effect on materials and finding the beauty in what we see around us. The world filters into my studio, colour, light, politics, religion, people. Conversations remain with me, maps mesmerize me, travel enthuses me. Creating and painting is an imperative I couldn't live a day without.“

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