Ombré con Oro, 2026
Painting : oil, gold leaf · 100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch · Ready to hang
Shipping & delivery
Shipped from: Spain
Delivery to: Germany , € 155
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
In “Ombré con Oro", deep reds collide with midnight blacks to create a sense of cosmic depth. At the center, a luminous core of gold erupts. This brilliance radiates outward in organic layers. The technique emphasizes texture and light. Gold leaf fragments catch the eye, shifting as the viewer moves. These metallic accents contrast sharply with the dark perimeter. The movement feels centrifugal. It suggests a celestial explosion or a blooming flower of fire. The circular format reinforces a feeling of unity and infinity. Each brushstroke adds to the tactile quality of the surface. The palette is limited but intense. Warm tones fight against the surrounding void. This creates a tension between light and shadow. The result is a meditative exploration of energy. The golden center acts as a focal point of purity and strength. It anchors the surrounding chaos of crimson hues. The artwork concludes in a seamless transition toward the dark edges of the tondo.
Born in the vibrant cultural hub of London in 1971, Chelsea Davine now calls the sun-kissed streets of Barcelona her home and artistic sanctuary. Drawing inspiration from the ephemeral beauty of everyday life, Davine's work captures the essence of fleeting moments and overlooked details. The art critic Alex Bahna said that Chelsea wanted to bring out the whole harmonious, elemental process in her work, or as she puts it: “Make something beautiful and delicate out of something as uncompromising as steel, stone, copper or lead." However it is not the purity and permanence of the metal that interests Chelsea, but how it ages. For her, metal is a canvas on which she studies the effect of time, water and oxygen - mixing diluted nitric and hydrochloric acid and using it to corrode the protective oily skin that preserves the surface of steel, then scratching it to encourage rust. From this, layer by layer, she creates three-dimensional abstracts 'paint sculptures' where textures and colours merge and change with alterations in the light.
Presentation
"Every painting I begin, the layers and texture continue to fascinate me as does the process. My subject matter remains the same, the material itself, the coast, the sea, lines of desire that criss-cross the landscape, time and its corrosive effect on materials and finding the beauty in what we see around us. The world filters into my studio, colour, light, politics, religion, people. Conversations remain with me, maps mesmerize me, travel enthuses me. Creating and painting is an imperative I couldn't live a day without.“
Reviews from our customers
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