Blue Courtain, 2022
Painting : oil · 106.7 x 81.3 x 0.3 cm 42 x 32 x 0.1 inch
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Shipped from: United States
Delivery to: Germany , € 325
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
106.7 x 81.3 x 0.3 cm 42 x 32 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
A quiet tension defines this interior scene. Soft light filters through a deep blue fabric. The drape creates a heavy, architectural presence against the muted walls. Below, a white cloth covers a table in precise, rhythmic folds. A single, enigmatic object rests atop the surface. Its organic form contrasts with the geometric stillness of the room. A diagonal beam of sunlight cuts across the fabric. This sharp highlight adds a sense of passing time to the composition. The palette remains restrained. Earthy tones anchor the space while the blue provides a cool, contemplative focal point. The artist employs a masterful control of light and shadow. Every crease in the textile feels intentional. The atmosphere is one of profound silence and anticipation. This artwork explores the intersection of domesticity and mystery. It transforms a simple room into a psychological landscape. The composition leads the eye from the luminous drape down to the subtle shadow on the floor. It is a study in balance and understated emotion.
In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar-like presence on the table, an interpretation undoubtedly reinforced by the tablecloth that frequently covers it. This frames and illuminates the subject in a way that interprets it as a secular altar where an ambiguous ritual takes place. The resulting images are often both serene and meditative, but they can also be filled with anticipation. This tension is sustained by a rhythm that evokes the rhythm of memory and dreams. Christopher Terry's paintings explore the tension between the everyday and the mystical. His subjects are primarily inspired by objects and artifacts that lack a strong ego and avoid connections to popular culture. He frames and illuminates this subject in a way that interprets still life as a secular altar where an ambiguous ritual takes place. The paintings resulting from this exploration are often both serene and meditative, yet also charged with anticipation. This tension is sustained by a rhythm that evokes the rhythm of memory and dreams. Paradoxically, for an artist like Terry, often considered a "realist," this rhythm arises more from invention and memory than from direct observation.
From the Interior altar painting series Oil on canvas Signed at the back.
Presentation
Christopher T. Terry was born in Stamford, Connecticut and studied painting at Rhode Island College and the University of Wisconsin-Madison. He has exhibited his work throughout the United States and is currently represented by galleries in Manhattan and Charlotte, NC. He is the recipient of numerous awards as a painter including the Utah Visual Artist Fellowship, and a WESTAF/NEA Fellowship in Painting. He has twice been the recipient of a Fulbright Fellowship for Teaching and Research in Germany and in 2000 was a Visiting Artist at the American Academy in Rome.
Terry taught at universities in the U. S. and Germany and served for ten years as Associate Dean in the Caine College of the Arts at Utah State University. He left academia in 2020 to work full-time as a painter.
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