Clair-Obscur, 2023
Painting : oil · 100 x 80 x 2 cm 39.4 x 31.5 x 0.8 inch · Ready to hang
$1,394
1 394 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 232
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 80 x 2 cm 39.4 x 31.5 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Description
This unique work presents an interior space almost entirely shrouded in darkness, with a subtle light source illuminating a corner. The golden light highlights a textured wall and a horizontal surface upon which rests a barely discernible object, a statuette. The contrast between the deep shadow and the soft light creates an atmosphere of mystery and contemplation. The masterful composition directs the eye toward this intimate scene, evoking a sense of solitude or meditation. The masterful use of light and shadow lends the work a timeless and introspective quality, while the limited palette reinforces the austerity and elegance of the scene. This painting evokes a space that is both tangible and ethereal, inviting the viewer to reflect on the history and significance of this secret place.
Presentation
Christine Tresca lives in Lille and works in the North of France, the land of Flemish masters who have always inspired her.
This resulted in a taste for monochromes, chiaroscuro and still lifes.
His work is situated between abstraction and figuration, with nature as a guideline, the object, the material, the simplicity of the forms and the subdued colors.
The place of creation in which his workshop is located makes him rub shoulders with artists and discover the work of ceramics which is a source of inspiration.
A reflection on the art and aesthetic philosophy of Japan and Korea, the influence of Wabi Sabi strongly accentuated this desire to translate the mark of time on objects, materials, textiles and to deepen techniques such as gold leaf, Indian ink, walnut stain and charcoal.
Her research on still life leads her to an interpretation of shapes and colors in more abstract compositions with always this desire to translate her taste for sobriety and harmony.
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