Drisme-3, 2022
Painting : acrylic · 30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch · Ready to hang
$216
216 $US
Delivered in time for Christmas
One of the last works available by this artist
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Shipped from: Switzerland
Delivery to: United States , $ 27
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Switzerland
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
OUTSIDE ART
Acrylic marker on cotton canvas — 30 × 30 × 2 cm — Unique piece
Statement of intent — Drisme-3
"Drisme-3" occupies a singular place in the series: its square format — 30 × 30 cm — gives it a different presence from the other horizontal pieces. Where the rectangular format favors a linear axis of reading, the square imposes a centrifugal balance: the composition must radiate from a center or organize around an invisible axis of symmetry.
As in the entirety of the Drisme series, AERO 82 explores here the intertwining of outlines that delineate essentialist colored spaces. The drop shadow effect — a direct heritage from the practice of Graffiti — gives the composition its volume and depth.
The square and the letter: a relationship of tension
The square format is one of the favored formats of modern painting: from the color fields of Mark Rothko to Ad Reinhardt's "Black Paintings," it embodies a form of intrinsic balance. In Graffiti, the square is rarer: the walls are horizontal, the train cars are panoramic. Constraining the letter to the square format is to oblige it to a formal reorganization that reveals new possibilities.
AERO 82 responds to this challenge in a programmatic way: the composition reorganizes to occupy the available space, the outlines adjust, the colored spaces find a new balance. "Drisme-3" is thus a piece that questions the perceptual habits related to format, forcing the gaze to circulate differently.
How does a letter, a curve, a colored space occupy the square without submitting it? This is the formal question posed by "Drisme-3."
A vocabulary in variation
The Drisme series poses a key question of contemporary artistic practice: how can a stable visual grammar produce singular and non-interchangeable works? AERO 82's answer goes through variation: each piece explores a different configuration of the same vocabulary, a new solution to a recurring formal problem — a logic also found in Monet's "Haystacks" and Sol LeWitt's "Variations."
It is this logic of series that situates AERO 82's approach in a lineage with the great cycles of abstract painting. Each number is a necessary variation, not a simple repetition.
Formal analysis
In "Drisme-3," the composition organizes centrifugally around a central axis. The outlines radiate, the colored spaces respond in balance. The square canvas can be hung in different orientations without losing its coherence — a sign of a composition thought in its entirety.
The choice of acrylic marker rather than spray can is significant: it allows for a precision of line that spray does not permit, a finesse in the contour and a mastery in small formats that would be more difficult with aerosol. This technical decision is consistent with the ambition of the series: to produce pieces that are both derived from the Graffiti tradition and capable of functioning at the intimate scale of the canvas.
Certificate of authenticity issued by the artist
Drisme-3 is presented by OUTSIDE ART
Presentation
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Reviews from our customers
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