Bronze Sculpture for Sale
Ce qui pousse encore, 2025
Painting : acrylic, ink · 124 x 124 x 0.2 cm 48.8 x 48.8 x 0.1 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
124 x 124 x 0.2 cm 48.8 x 48.8 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The work is built by accumulation and by restraint. An organic mass — deep greens, matte golds, saturated blacks — occupies the lower two-thirds of the composition, while a white space, almost immaterial, opens up in the upper part.
Between the two, the material flows: fine, almost linear drips perforate the boundary and suspend the gesture between density and dissolution.
Caroline de Boissieu works painting here as an organic accumulation process — sedimentation of layers, of materials, of successive gestures — before initiating an inverse movement of rarefaction towards the top of the support. The painting becomes the site of a tension between saturation and void, matter and light, presence and effacement.
This logic of deposition and purification is part of the artist's broader approach, where painting is never a fixed state but a process in progress — a material caught between what it still retains and what it is losing.
Artwork mounted on Dibond
Presentation
A graduate of the École Nationale Supérieure des Arts Décoratifs, Caroline de Boissieu has devoted herself fully to her art since 2000, following an earlier career as a stylist. Her work begins, often, with a photograph — and from that matrix emerges something far more elusive: translucent materials such as ink, acrylic, tracing layers, plexiglas, and glass dissolve the contours until what remains is suggested, fleeting, yet haunting.
Hers is a practice of the palimpsest, a patient layering in which every technique is summoned to give the work the fullness of its breath. Light lives at its very heart. Through subtle play of shadow and reflection, each piece seems to breathe, to shift with the angle and intensity of one's gaze — never quite the same twice. Drawing on water, air, and distant shorelines without ever naming them, she opens a dreamlike space, at once transparent and opaque, still and in motion, where the viewer is gently invited to project their own memory, their own emotion.
It is a poetry that reveals itself slowly. Naturally drawn toward ever more limpid supports, she also gives her paintings an architectural presence, collaborating with architects, glassmakers, and designers in France and abroad — each work composed to live alongside those who dwell with it.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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