Chemins de traverses - Série Paysage abstrait onirique, Circa 2025
Chantal Jamet dite Thal  

Painting : acrylic, mixed media · 30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch · Ready to hang

€245 245 €
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Shipped from: France

Delivery to: Italy , € 22

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2018 • Top Seller

Description

This acrylic composition explores the boundary between earth and water. The gaze wanders into an rugged relief where the material asserts itself. The technique relies on the accumulation of glazes. The artist works by hand to sculpt the volumes.
White dominates the scene like a cascade of light. This clarity guides the viewer through a dreamlike landscape. Golden touches and deep grays create a marked contrast. The surface plays with textures, alternating smooth areas and rough areas.
The gestural approach leaves room for the unpredictable. Each layer brings a new depth to the canvas. The rendering evokes the raw force of natural elements. The visual balance is drawn between shadow and brilliance. This creation is part of a research into perspective and form. The final rendering captures a suspended moment, between minerality and fluidity.

Abstract

Fantastic

Landscape

Material

Oniric

Imaginary landscape

White

Yellow

Chantal Jamet dite Thal, Chemins de traverses - Série Paysage abstrait onirique

Presentation

As an abstract, dreamlike painter, I have taught art in one of my studios, through a charity, and also at
a higher education college specialising in web and design to students. I am a recipient of the Arts, Sciences and Letters medal. I have exhibited at art fairs (both national and international), in galleries and in museums. My acrylic painting is based on conveying an emotion.

Each time, it is a blank page. I first apply my materials in a random manner. I prepare my colours and devise a focal point of light. From there emerges a gestural approach that I execute mainly with my hands through the layering of glazes. And that is when a cascade of light comes into play, bringing my work to the fore. Depending on the effects I have created, I visualise a path to follow, and from there the creative process unfolds. Perspective, form, volume and the adjustment of the light's angle all come into play. Without light, my work would not exist. I never know in advance what I'm going to create. That's how I discover my painting as it takes shape. It lies between earth, water and the elements, as in Asian art. There is always water in my work.

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