Voyage nocturne - Série Paysage abstrait onirique, Circa 2025
Painting : acrylic, mixed media · 30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch · Ready to hang
$285
285 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 43
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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Vera Hoi
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on canvas
Dimensions ( cm • inch )
30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
The artist explores here the border between dream and matter. The gaze dives into an abstract landscape where elements intertwine fluidly. The acrylic unfolds in successive layers to create a tactile relief.
Light guides the composition. It emanates from a white and luminous center, evoking a cascade or a mysterious spring. This clarity contrasts with deep shades of purple and ochre.
The gesture is instinctive. The materials are applied by hand, bringing an organic dimension to the canvas. Water, the central motif of the artist's work, seems to flow between mineral formations.
The rendering oscillates between terrestrialness and the ethereal. The golden touches and impasto suggest precious rocks or solar reflections.
The whole forms a dreamlike vision where perspective fades in favor of feeling. This painting plays with volumes and angles of light to bring to life an imaginary space.
Presentation
As an abstract, dreamlike painter, I have taught art in one of my studios, through a charity, and also at
a higher education college specialising in web and design to students. I am a recipient of the Arts, Sciences and Letters medal. I have exhibited at art fairs (both national and international), in galleries and in museums. My acrylic painting is based on conveying an emotion.
Each time, it is a blank page. I first apply my materials in a random manner. I prepare my colours and devise a focal point of light. From there emerges a gestural approach that I execute mainly with my hands through the layering of glazes. And that is when a cascade of light comes into play, bringing my work to the fore. Depending on the effects I have created, I visualise a path to follow, and from there the creative process unfolds. Perspective, form, volume and the adjustment of the light's angle all come into play. Without light, my work would not exist. I never know in advance what I'm going to create. That's how I discover my painting as it takes shape. It lies between earth, water and the elements, as in Asian art. There is always water in my work.
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