Méditation Calfeutrée - Série Paysage abstrait onirique, Circa 2025
Painting : acrylic, mixed media · 20 x 20 x 2 cm 7.9 x 7.9 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Italy , € 20
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on canvas
Dimensions ( cm • inch )
20 x 20 x 2 cm 7.9 x 7.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
Acrylic and mixed media unite here to compose an abstract landscape. The material stretches in successive layers. The gesture prevails. The handwork shapes a tactile relief.
Light guides the composition. It bursts from a brilliant center to pierce areas of deep shadow. Ocher and gold tones contrast with nocturnal blues. This chromatic dialogue evokes the meeting of elements.
Space oscillates between earth and water. The fluidity of the glazes suggests a marine current or a stormy sky. The absence of fixed lines invites visual wandering. The gaze follows a dreamlike path, suspended between reality and the imaginary.
This creation explores the notion of temporality. The canvas becomes the theater of a natural force in motion. The density of the pigments accentuates the volume of the forms. Each colored area seems to vibrate under the effect of an invisible light source. The whole stabilizes in an organic balance.
Presentation
As an abstract, dreamlike painter, I have taught art in one of my studios, through a charity, and also at
a higher education college specialising in web and design to students. I am a recipient of the Arts, Sciences and Letters medal. I have exhibited at art fairs (both national and international), in galleries and in museums. My acrylic painting is based on conveying an emotion.
Each time, it is a blank page. I first apply my materials in a random manner. I prepare my colours and devise a focal point of light. From there emerges a gestural approach that I execute mainly with my hands through the layering of glazes. And that is when a cascade of light comes into play, bringing my work to the fore. Depending on the effects I have created, I visualise a path to follow, and from there the creative process unfolds. Perspective, form, volume and the adjustment of the light's angle all come into play. Without light, my work would not exist. I never know in advance what I'm going to create. That's how I discover my painting as it takes shape. It lies between earth, water and the elements, as in Asian art. There is always water in my work.
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