The Waste Land, 2026
Painting : acrylic · 30.4 x 30.4 x 0.4 cm 12 x 12 x 0.2 inch
Shipping & delivery
Shipped from: Australia
Delivery to: United States , $ 52
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30.4 x 30.4 x 0.4 cm 12 x 12 x 0.2 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
The Waste Land was inspired by sketches made in the Business Lounge at Hong Kong International Airport during the height of the COVID lockdown. I was travelling back to Australia on one of the few international flights operating at the time, and the normally crowded airport was almost completely empty. A place designed for movement and human interaction had become strangely silent, creating an atmosphere of isolation and foreboding.
Rather than attempting to document the airport, I was drawn to the experience of the place: the vast areas of darkness, the geometric architecture, the cold light beyond the windows and the intense shaft of artificial light cutting through the gloom. A solitary figure provides a small but important reminder of human presence.
The title is a quiet nod to T. S. Eliot's , whose themes of fragmentation, isolation and a world temporarily stripped of meaning seemed particularly appropriate.
The painting has also made me reflect on something increasingly important in my work: light defines a place; memory shapes the way we depict it. What remains with us is rarely the whole scene, but a few fragments of light, colour, form and atmosphere. Sometimes those fragments are enough.
Presentation
From an early age, I was drawn to image creation — to the way artists could conjure life, light, and form from a blank surface. Drawing and painting fascinated me not only as means of representation, but as ways of seeing: understanding how light defines shape, how shadow suggests depth, and how two dimensions can hold the illusion of three.
Photography soon joined painting as a lifelong companion. From my first self-processed black-and-white prints to the sophistication of contemporary digital techniques, I've always been compelled to capture the world through the lens — exploring texture, atmosphere, and the quiet narratives of everyday life.
I trained initially at the University of Reading in the United Kingdom, where I earned a BA (Hons) in Typography & Graphic Communication. This instilled a deep respect for visual structure, clarity, and meaning — principles that continue to inform my artistic practice. More recently I have completed a Graduate Diploma in Psychology at the University of Sydney, an experience that expanded my understanding of perception, behaviour, and the human experience — insights that naturally find expression and continue to inform both my teaching and creative work.
Over the course of my career, I have established and directed creative studios in London, Luxembourg, Málaga, Berlin, and Sydney, and held senior roles in leading design practices and advertising agencies. A true digital dinosaur, I was appointed Creative Director for Europe's first online service, where I helped pioneer the intersection of design and emerging digital technology at a pivotal moment in visual communication.
In parallel, I've taught design at universities and art schools in Sydney and southern Spain, focusing on sustainable design thinking, human-centred design, and the development of successful creative practice.
Today, with more time to devote to personal projects, I have returned full circle to my first love — painting and drawing. This renewed focus reconnects me with the timeless pleasures of observation and expression: translating what I see and feel into line, tone, and colour.
I live a creative and balanced life with my family who provide constant inspiration, perspective, and humour.
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