Universe of Stone, 2026
Nigel Bailey  

Painting : acrylic · 60 x 75 x 4 cm 23.6 x 29.5 x 1.6 inch · Ready to hang

$1,809 1 809 $US

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Shipped from: Australia

Delivery to: United States , $ 244

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 75 x 4 cm 23.6 x 29.5 x 1.6 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

depicts an abandoned car park beside the old fish market in Pyrmont. At first, the subject appears ordinary: concrete, stone, shadow and traces of a once-used space. Yet the painting is less concerned with describing the location than with exploring what happens when light enters an enclosed, neglected environment. The architecture becomes a framework for observing proportion, depth and atmosphere, while the limited palette reduces the scene to its essential relationships. What might otherwise be an overlooked urban remnant becomes a meditation on space, memory and light, suggesting that meaning can emerge from places shaped by absence, history and quiet transformation.

Architecture

Urban Landscape Artworks

Australia

Highway

Buildings

City

Navy blue

Nigel Bailey, Universe of Stone

Nigel Bailey

Australia  • 1955

Presentation

From an early age, I was drawn to image creation — to the way artists could conjure life, light, and form from a blank surface. Drawing and painting fascinated me not only as means of representation, but as ways of seeing: understanding how light defines shape, how shadow suggests depth, and how two dimensions can hold the illusion of three.

Photography soon joined painting as a lifelong companion. From my first self-processed black-and-white prints to the sophistication of contemporary digital techniques, I've always been compelled to capture the world through the lens — exploring texture, atmosphere, and the quiet narratives of everyday life.

I trained initially at the University of Reading in the United Kingdom, where I earned a BA (Hons) in Typography & Graphic Communication. This instilled a deep respect for visual structure, clarity, and meaning — principles that continue to inform my artistic practice. More recently I have completed a Graduate Diploma in Psychology at the University of Sydney, an experience that expanded my understanding of perception, behaviour, and the human experience — insights that naturally find expression and continue to inform both my teaching and creative work.

Over the course of my career, I have established and directed creative studios in London, Luxembourg, Málaga, Berlin, and Sydney, and held senior roles in leading design practices and advertising agencies. A true digital dinosaur, I was appointed Creative Director for Europe's first online service, where I helped pioneer the intersection of design and emerging digital technology at a pivotal moment in visual communication.

In parallel, I've taught design at universities and art schools in Sydney and southern Spain, focusing on sustainable design thinking, human-centred design, and the development of successful creative practice.

Today, with more time to devote to personal projects, I have returned full circle to my first love — painting and drawing. This renewed focus reconnects me with the timeless pleasures of observation and expression: translating what I see and feel into line, tone, and colour.

I live a creative and balanced life with my family who provide constant inspiration, perspective, and humour.

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