Composition n°15, 2025
Caroline de Boissieu  

Painting : ink · 50 x 50 x 0.01 cm 19.7 x 19.7 x 0 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 x 0.01 cm 19.7 x 19.7 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Work built by sedimentation — superimpositions of diluted ink and pigment, where matter deposits rather than is drawn. The earthy palette evokes a geological temporality; the texture, obtained through a play of transparencies and material retentions, inscribes the work in a continuous research on the dissolution and the light contained within the matter itself.

"The matter deposits.
Nothing is told."

The brown closes upon itself,
retains what it does not say.

A red trace —
the only living thing
in this stopped earth"

Abstract

Composition

Beige

Caroline de Boissieu, Composition n°15
France  • 1958

Presentation

A graduate of the École Nationale Supérieure des Arts Décoratifs, Caroline de Boissieu has devoted herself fully to her art since 2000, following an earlier career as a stylist. Her work begins, often, with a photograph — and from that matrix emerges something far more elusive: translucent materials such as ink, acrylic, tracing layers, plexiglas, and glass dissolve the contours until what remains is suggested, fleeting, yet haunting.

Hers is a practice of the palimpsest, a patient layering in which every technique is summoned to give the work the fullness of its breath. Light lives at its very heart. Through subtle play of shadow and reflection, each piece seems to breathe, to shift with the angle and intensity of one's gaze — never quite the same twice. Drawing on water, air, and distant shorelines without ever naming them, she opens a dreamlike space, at once transparent and opaque, still and in motion, where the viewer is gently invited to project their own memory, their own emotion.

It is a poetry that reveals itself slowly. Naturally drawn toward ever more limpid supports, she also gives her paintings an architectural presence, collaborating with architects, glassmakers, and designers in France and abroad — each work composed to live alongside those who dwell with it.

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