Bronze Sculpture for Sale
Achromatic Variation 2, 3 & 10. Triptych, 2023
Painting : acrylic, mixed media · 33 x 71.6 x 3.8 cm 13 x 28.2 x 1.5 inch · Ready to hang
$3,000
3 000 $US
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Shipped from: Serbia
Delivery to: United States , $ 300
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on canvas
Dimensions ( cm • inch )
33 x 71.6 x 3.8 cm 13 x 28.2 x 1.5 inch Height x Width x Depth
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
This triptych explores the intricate tension between internal and external space. The composition relies on a disciplined geometric language. Sharp lines carve the surface into intersecting planes. A muted palette of pale violet and soft white creates a luminous atmosphere. The colors do not compete. They shift subtly across the three panels. This creates a rhythmic movement throughout the artwork. Pure abstraction guides the eye through an architectural landscape. Each segment suggests a different angle of a fragmented volume. The artist employs a precise, academic approach to form. The balance between light and shadow is meticulously handled. Flat surfaces transform into perceived depths through strategic linear placement. This 2023 painting reflects a deep research into visual media and structural harmony. The result is a serene yet complex meditation on spatial perception. The interaction of monochromatic tones emphasizes the clarity of the drawing. Each panel functions as a standalone study while contributing to a cohesive narrative of geometric variation.
The series includes paintings where analytical relationships towards the essential elements of pictorial plastic creativity are dominant: surface, line, color, matter and material; geometry functions as a framework within which the possibility of dealing with the surface/surfaces as the basic problem of painting. Several painting methods and painting procedures were applied: painting in a single layer, painting with an underpainting, applying paint in multiple layers, applying paint with the addition of other materials. Each separate surface in these geometric paintings has its own autonomy, its own colored and plastic integrity, and their harmony tends to create a compact whole in which all relationships are well balanced and give the impression of order, harmony and concord. The basic premise of her artistic expression over a long period refers to the need for constant experimentation with the very construct of the painting and the material from which it is made. Within the established system of geometric, reduced forms that make up her artistic language, the surface of the painting and its pictorial value impose themselves as another field of action and possibility for expression. Positioning the material as a building element of the painting provides the opportunity to work and explore within an expanded field, where the characteristic properties of the materials used offer potential for the development of a specific artistic expression. By using unconventional painting substrates like aluminum, plush, PVC material, foil, and woolen fabric, the painting becomes part of a process that translates it into a painting-object, moving beyond the established plastic system of surface organization. This sculptural processing of the painting as an object provides a wide range of new modalities in positioning its visual and spatial effect. At the same time, the selected material, with minimal interventions, forms the basis of a system of geometric images and shapes that are consciously devoid of color. The materials used are most often achromatic, and in such a reduced order of all formal elements, a relationship is established between rhythm as a state and rhythmicity as a process. Her architectural approach of combining and composing reduced forms, which she treats as plates that fit together, gives her the opportunity to analytically connect with the essential elements of the plastic system: surface, line, color, matter, and material. By emphasizing composition and building structure through the relationships of forms, she strives for a compact whole in which all relationships are carefully thought out.Â
Acrylic on canvas From the Painting series. Signed on the back by the artist. Dimensions: Overall size: 13 H x 28.2 W x 1.5 D in. Individual size: 13 H x 9.4 W x 1.5 D in.
Presentation
She graduated with a B.A. from the Academy of Arts in Novi Sad in 1994, specializing in the Painting Department. She later completed her postgraduate studies (M.A.) in the same department, graduating from the academy in 2000. That same year, she began working at the Academy of Arts in Novi Sad within the Department of Fine and Applied Arts. Currently, she serves as a Professor at the institution.
She has been a member of both the Association of Fine Arts in Vojvodina (ULUV) and the Serbian Association of Fine Arts (ULUS) since 1995. Additionally, she belongs to the art group Multiflex, where she collaborates with fellow artists on multimedia projects. Since 2022, she has also served as a permanent curator at the "Mitar Subotić Suba" Foundation.
Since 1992, she has participated in over 150 group exhibitions regionally and internationally, spanning countries such as Serbia, Poland, Italy, China, Germany, Japan, Switzerland, Great Britain, Austria, and France. Numerous fine arts critics have nominated her in various national artist selections within the contemporary art scene.
Throughout her career, she has held 27 solo exhibitions and received several awards for her work. These honors include the Special Award at the 6th "Salon for the Young Artists" Exhibition (Serbia, 1998) and the Annual Award for the best solo exhibition in the Gallery of the I. M. Kolarac Foundation in Belgrade (Serbia, 2001). That same year, she won an award at the 30th Artistic October Salon in Novi Sad. She went on to win awards at the 10th Exhibition of Drawings (Serbia, 2003) and the "30x30" Exhibition (Serbia, 2009). In 2011, she received the jury award at the 27th International Short Film Festival in Germany with the art group Multiflex, followed by the "Milivoj Nikolajevic" Award (Serbia, 2016).
She has coordinated numerous projects in art and education, while also participating in many international symposiums and conferences. Furthermore, she has served on several faculty and university boards, as well as councils for multiple art galleries.
Her academic work focuses on researching traditional and new visual media, exploring their parallels and intersections. The relationship between internal and external space is her primary field of exploration, where she examines the possibilities of expression and abstraction through diverse disciplines, including art, ecology, urbanism, and visual culture.
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