Composition1, 2011
Denis Rifflard  

Painting : acrylic · 50 x 50 x 2.5 cm 19.7 x 19.7 x 1 inch · Ready to hang

$572 572 $US
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Shipped from: France

Delivery to: United States , $ 86

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 x 2.5 cm 19.7 x 19.7 x 1 inch Height x Width x Depth

Artwork dimensions including frame

56 x 56 x 4 cm 22 x 22 x 1.6 inch

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

An acrylic composition where the still life breaks free from all rigidity. The gesture is free. The forms intertwine in a play of transparency and superposition.
The artist uses a knife and brushes to structure the space. Sharp lines cut across the canvas. They contrast with the softness of the white and beige tones.
Blue dominates the background. It brings an airy freshness to the whole. Touches of green and ochre evoke a deconstructed, almost abstract bouquet.
The balance rests on a precise management of contrasts. The darkness of a central block anchors the scene and gives depth to the perspective.
This 201 canvas prioritizes immediate visual pleasure. It refuses complex concepts to focus on the material and light.
The final rendering plays on the fluidity of semi-transparent pigments. The signature applied in the bottom right closes this chromatic exploration.

Still Life

Floral

Bouquet

Semi-abstract

Sky blue

Green

Denis Rifflard, Composition1
France  • 1948

Presentation

The painter Picard has always had a strong taste for drawing and painting, first in watercolor and now in acrylic.

A career in high-end textiles was combined for several years with a first specific practice very appreciated at that time, namely press and humor drawing as a "freelancer" for various Parisian and regional newspapers.

He then used watercolors to sometimes enhance his drawings or for full-fledged creations.

But it was above all the acrylic on canvas technique that ultimately suited him best and from which he never turned away, adapting it to his personal aspirations. Thus applied with a brush or a knife depending on the desired effects, the palette used was rather limited and consisted essentially of semi-transparent or transparent colors "whose implementation was more restrictive but which suited me better in their final rendering" confides the painter.

Local and then regional exhibitions gradually demonstrated a certain interest among visitors in his work. This was followed by two highly commendable selections for the Salon des Artistes Français at the Grand Palais and that of a major multinational company seeking his artistic needs.

It was in Le Havre that a first gallery hosted his paintings for several years before a second gallery then approached him to exhibit successfully in Saint Rémy de Provence.

The logical next step is now his presence on Artsper where he has the pleasure of presenting his recent acrylic paintings, always free of any constraint of messages or concepts other than that of the essential pleasure of seeing them catch your eye.

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