Contrées incertaines3, 2021
Denis Rifflard  

Painting : acrylic · 70 x 90 x 3.2 cm 27.6 x 35.4 x 1.3 inch

€800 800 €

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Shipped from: France

Delivery to: Germany , € 72

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 90 x 3.2 cm 27.6 x 35.4 x 1.3 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

Abstraction is expressed here through an intense chromatic dialogue.
The composition is organized around a dense center where dark tones and flashes of white interweave.
The gesture is assured. The brush and the knife sculpt the acrylic material to create marked reliefs.
Touches of ochre and red punctuate the whole, bringing a subtle warmth against the dominance of blues.
The background, treated with more lightness, evokes an atmospheric space where the colors fade.
The balance rests on this contrast between the saturation of the heart of the painting and the fluidity of the edges.
This canvas, made in 2021, favors pure visual pleasure and the exploration of textures.
The final rendering plays on the transparency of the pigments to give a sensation of depth.
The whole unfolds in a harmony of cool and warm tones.

Denis Rifflard, Contrées incertaines3
France  • 1948

Presentation

The painter Picard has always had a strong taste for drawing and painting, first in watercolor and now in acrylic.

A career in high-end textiles was combined for several years with a first specific practice very appreciated at that time, namely press and humor drawing as a "freelancer" for various Parisian and regional newspapers.

He then used watercolors to sometimes enhance his drawings or for full-fledged creations.

But it was above all the acrylic on canvas technique that ultimately suited him best and from which he never turned away, adapting it to his personal aspirations. Thus applied with a brush or a knife depending on the desired effects, the palette used was rather limited and consisted essentially of semi-transparent or transparent colors "whose implementation was more restrictive but which suited me better in their final rendering" confides the painter.

Local and then regional exhibitions gradually demonstrated a certain interest among visitors in his work. This was followed by two highly commendable selections for the Salon des Artistes Français at the Grand Palais and that of a major multinational company seeking his artistic needs.

It was in Le Havre that a first gallery hosted his paintings for several years before a second gallery then approached him to exhibit successfully in Saint Rémy de Provence.

The logical next step is now his presence on Artsper where he has the pleasure of presenting his recent acrylic paintings, always free of any constraint of messages or concepts other than that of the essential pleasure of seeing them catch your eye.

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