Diffraction 3, 2021
Denis Rifflard  

Painting : acrylic · 80 x 100 x 3 cm 31.5 x 39.4 x 1.2 inch

$1,867 $1,587 1 587 $US
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Shipped from: France

Delivery to: United States , $ 280

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

80 x 100 x 3 cm 31.5 x 39.4 x 1.2 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

An abstract composition where light fragments. The gaze navigates between zones of deep shadow and flashes of blue. Shades of turquoise and cyan intertwine. Geometric shapes overlap with precision.
The artist uses acrylic to create games of transparency. The brush and the knife sculpt the canvas. Each plane brings a new depth. The marked contrasts rhythmize the visual space.
The work relies on a search for chromatic balance. White lines cut the surface, guiding the eye towards areas of clarity. This piece, created in 2021, explores the decomposition of light.
The technique favors semi-transparent hues. This choice brings a sensation of fluidity and lightness. The whole forms a complex arrangement of colored facets on a dark background.

Abstract

Geometric abstraction

Sky blue

Denis Rifflard, Diffraction 3
France  • 1948

Presentation

The painter Picard has always had a strong taste for drawing and painting, first in watercolor and now in acrylic.

A career in high-end textiles was combined for several years with a first specific practice very appreciated at that time, namely press and humor drawing as a "freelancer" for various Parisian and regional newspapers.

He then used watercolors to sometimes enhance his drawings or for full-fledged creations.

But it was above all the acrylic on canvas technique that ultimately suited him best and from which he never turned away, adapting it to his personal aspirations. Thus applied with a brush or a knife depending on the desired effects, the palette used was rather limited and consisted essentially of semi-transparent or transparent colors "whose implementation was more restrictive but which suited me better in their final rendering" confides the painter.

Local and then regional exhibitions gradually demonstrated a certain interest among visitors in his work. This was followed by two highly commendable selections for the Salon des Artistes Français at the Grand Palais and that of a major multinational company seeking his artistic needs.

It was in Le Havre that a first gallery hosted his paintings for several years before a second gallery then approached him to exhibit successfully in Saint Rémy de Provence.

The logical next step is now his presence on Artsper where he has the pleasure of presenting his recent acrylic paintings, always free of any constraint of messages or concepts other than that of the essential pleasure of seeing them catch your eye.

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