Kohlrabi & Exhalation, 2024
Painting : oil · 30 x 30 x 3 cm 11.8 x 11.8 x 1.2 inch
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Shipped from: Israel
Delivery to: Spain , € 80
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 30 x 3 cm 11.8 x 11.8 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Israel
Credentials
Vetted seller since 2026
Description
A stark contrast defines this composition. A pale kohlrabi rests upon a dark volume. The vegetable emerges from the shadows with sculptural intensity. Its organic curves evoke an alien anatomy. Pale greens and creamy whites glow against a void of deep black. This light creates a dramatic tension reminiscent of chiaroscuro traditions.
The vegetable sits atop a book titled Exhalation. This pairing suggests a dialogue between nature and intellect. The tactile surface of the skin contrasts with the rigid edges of the cover. Every vein and ridge of the plant is rendered with clinical precision. The artist captures the fleeting state of organic matter. The void surrounding the subject strips away all context. It transforms a common ingredient into a meditative object of study. The composition balances the heavy weight of the book with the precarious lean of the leafy stem. It is a study of silence and presence. The soft gradients of light reveal a subtle luminescence within the vegetable. This luminosity guides the eye across the curved surfaces to the sharp edges of the printed word.
Presentation
Michal Mozes (b. 1980) is an Israeli painter living and working in Tel Aviv. She studied drawing and painting under Shlomi Hagai at the Israel Arts and Science Academy in Jerusalem (1995–1998) and holds a B.Des in Fashion Design from Shenkar College.
Rooted in close observation of everyday life, her paintings transform domestic objects, flowers, family photographs, and intimate scenes into explorations of color, light, memory, and personal history. In recent years, in response to a period of collective grief, flowers and mourning wreaths have become recurring motifs in her work. These subjects also connect to her childhood in a moshav, where she grew up in a family of flower growers.
Through seemingly ordinary subjects, Mozes creates quietly charged narratives in which intimacy, memory, and collective experience intersect.
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