Bronze Sculpture for Sale
Artificial Flowers 2, 2026
Painting : oil, acrylic, Textiles · 160 x 140 x 3 cm 63 x 55.1 x 1.2 inch · Ready to hang
CHF 9,731
9 731 CHF
Shipping & delivery
Shipped from: Georgia
Delivery to: Switzerland , CHF 602
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
160 x 140 x 3 cm 63 x 55.1 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic, oil, pigment, paper & textile on reclaimed Soviet-era biazi fabric
Deep violets bleed into ethereal whites. This abstract composition vibrates with a quiet, atmospheric tension. The artist merges architectural precision with a fluid, emotive touch. Oil and acrylic pigments saturate the surface in washes of royal purple and soft mauve. A vertical streak of light cleaves the color, creating a sense of depth and descent.
Central to this artwork is the tactile history of its base. The artist utilizes reclaimed Soviet-era cotton fabric. Once used as ceiling coverings in domestic interiors, these textiles now serve as an archive of memory. The fabric absorbs the paint, layering personal history with contemporary gesture. Textural fragments and delicate floral patterns emerge from the lower sections, hinting at forgotten domestic spaces.
The process involves peeling and erasure. This methodology echoes the psychological traces of a bygone era. Colors overlap in translucent glazes, blurring the line between material and spirit. The result is a meditative exploration of disappearance and presence. Light filters through the composition like a distant memory. A singular, textured vertical band anchors the shifting tones of the background.
Presentation
Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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