Bronze Sculpture for Sale
Dance of the Wolves 1, 2024
Painting : oil, acrylic, Pigments · 160 x 140 x 3 cm 63 x 55.1 x 1.2 inch
CHF 7,806
7 806 CHF
Shipping & delivery
Shipped from: Georgia
Delivery to: Switzerland , CHF 228
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
160 x 140 x 3 cm 63 x 55.1 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic, oil & pigment on soviet-erra fabric biazi
Raw energy meets architectural precision. Gela Mikava explores the tension between memory and erasure through this visceral composition. The artwork unfolds on a repurposed surface of Soviet-era biazi cotton. This fabric carries silent histories of domesticity and time. Oil and acrylic overlap in a frantic dance of gesture.
Figures emerge and dissolve within a chaotic tangle. White linear scribbles slice through deep purples and earthy browns. These lines act as ghosts of movement. They map an emotional landscape of fragmentation. A luminous pale center anchors the composition. It suggests a flicker of light amidst a psychological storm.
The approach reflects a study of post-socialist radiation. Layers are added and stripped away. This process mirrors how collective memories fade or persist. The result is a haunting blend of abstraction and figuration. Each brushstroke captures a state of flux. The palette transitions from dark shadows to sudden bursts of green and gold. This creates a rhythmic contrast. The piece concludes in a heavy lower register of obsidian tones that ground the floating, distorted forms.
Presentation
Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
Discover similar artists
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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