Bagliore #4, 2026
Painting : mixed media · 30 x 20 x 3 cm 11.8 x 7.9 x 1.2 inch · Ready to hang
£397
397 £GB
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Shipped from: Italy
Delivery to: United Kingdom , £ 52
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
30 x 20 x 3 cm 11.8 x 7.9 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
34.5 x 24.5 x 6 cm 13.6 x 9.6 x 2.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
This mixed media painting explores the boundary between the conscious and the unconscious. The composition is split into two distinct emotional zones. On the left, deep blacks and sudden flashes of pale green create a sense of depth and intensity. Thick brushstrokes suggest a raw, instinctive energy. These dark tones contrast sharply with the right side of the artwork. Here, a neutral, linen-like background hosts a sequence of soft white dots. These circular marks introduce a rhythmic, almost meditative quality to the scene.
The artist treats the canvas as a space for psychic release. He draws inspiration from the simplicity of the doodle to reveal hidden identity. This approach transforms the creative process into a form of therapy. The tension between the chaotic left and the structured right reflects the dual nature of the human mind. It is a dialogue between unrestrained emotion and quiet order. The final result is a conceptual study of internal balance. Every mark serves as a visual trace of a physical movement. The piece concludes with subtle textures that emphasize the materiality of the paint.
Presentation
Graduated from the Florence Art Academy
The core of my research starts from the elaboration of my unconscious. The unconscious has always fascinated me as an unknown element, I believe it is the only thing that can be both unexplored and certain, aware that it can hide great talent and uniqueness. In the everyday we see only the tip of a large iceberg, my goal is to get to the other end and observe what may be revealed.
I believe that each of us even once has made a doodle, and not necessarily with pencil or charcoal, and it is in that moment of realization that we see all kinds of anger, joy, sadness or fear, the doodle is so simple but so personal, it helps to get rid of all thoughts, it helps to empty the head, to leave on the paper all that we are, we will come to ask ourselves, " is it art? Or therapy?"
The difference between unconscious and conscious in the doodle lies in being visually aware of the direction, pressure or aesthetic element, the best way not to condition oneself is to close one's eyes and let the body and not the hand carry us, only in this way will the doodle bring out as yet unknown particularities.
To get to the unfolding of the pure doodle, I usually use a large surface that is larger than my body and then find the center of the support; after that with the charcoal I let the body move like a rough sea, never detaching, until the charcoal wears out or breaks.
I would like to be able to connect the world like a big net, a big doodle, it can become a bond between art and non-art. The creative essence is inherent in us, regardless of what we make as well as the doodle that becomes our own unique expression of identity.
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