Zahia, 2026
Painting : acrylic, Textiles, plaster, Indian ink, tinted varnish · 50 x 100 x 3 cm 19.7 x 39.4 x 1.2 inch · Ready to hang
CHF 1,199
1 199 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 96
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
acrylic , Textiles , plaster , Indian ink , tinted varnish on canvas
Dimensions ( cm • inch )
50 x 100 x 3 cm 19.7 x 39.4 x 1.2 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Description
Inspired by the graphic power of Maasai necklaces, this work explores the jewelry as language, memory, and transmission.
The lines repeat, embrace, and overlap in an almost hypnotic movement, evoking the patient gestures of the artisan.
The deep black, punctuated by white and earthy tones, reveals a composition that is both raw and precious.
Between abstraction and evocation of the body, the forms seem to become adornment, protection, and symbol.
A contemporary interpretation where material, rhythm, and relief pay homage to the beauty of gesture and the strength of traditions.
The lines repeat, embrace, and overlap in an almost hypnotic movement, evoking the patient gestures of the artisan.
The deep black, punctuated by white and earthy tones, reveals a composition that is both raw and precious.
Between abstraction and evocation of the body, the forms seem to become adornment, protection, and symbol.
A contemporary interpretation where material, rhythm, and relief pay homage to the beauty of gesture and the strength of traditions.
Presentation
It all began with a moment of revelation, on a construction site. The fluid and instinctive gesture of a mason applying the plaster caught my eye.
This imprint, left in the material, was a true source of inspiration. At that moment, an obvious thing became apparent: I had just found an artistic language that resembled me.
I have always drawn and painted, but I was missing a personal writing.
This encounter with the material gave birth to an approach where movement, texture, and gesture become the foundations of each of my creations.
My journey between fashion, interior architecture, and the arts, enriched by my travels and my sensitivity to cultures, deeply nourishes my universe. Each work is the reflection of this alchemy between material, emotion, and memory, where spontaneity of gesture and search for balance mingle.
Through my paintings, I seek to reveal the poetry of textures, the force of movement, and the elegance of imperfections, inviting everyone to a sensitive and contemplative experience.
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