Rouge 3, 2019
Painting : aerosol paint, acrylic, ink, marker · 60 x 80 x 3 cm 23.6 x 31.5 x 1.2 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 169
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aerosol paint , acrylic , ink , marker on canvas
Dimensions ( cm • inch )
60 x 80 x 3 cm 23.6 x 31.5 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017
Discount
This seller offers discount when you purchase multiple artworks.
Description
New State, never framed, from the artist's live.
Presentation
Richard Saint-Amans is a French artist born in 1949 in Béziers. he lives and works near Versailles.
Although he has attended art courses in prestigious schools, Richard Saint-Amans defines himself as an autodidact. His artistic debut as a teenager took him to photography, which he turned aside to create hybrid prints, the preconceptions of which are already being worked on.
Arrive painting. His taste for American hyperrealism, Flemish primitives, his background as a photographer naturally takes him to a hyperrealist figuration. He then works on the issue of transparency and glazing in a demanding technical exploration.
He ends up feeling cramped in this approach and the concomitant discovery of Japan confirms the abandonment of this path. By freeing himself from the constraints of the technique, he refocuses himself on the line, concentrating on gestures in a quasi-calligraphic approach.
Inspired by Hans Hartung, he is interested in signs, traces and other bits of memory left on the walls.
Mixing of supports and hybridization still between text and pictorial work. Thus, most of the numbers he walked away the sandstone of his inner paths, he comes to superimpose signs, substrates of an almost forgotten writing, producing abstract compositions, stripping, purifying his line for ever closer of the essence of the gesture, calligraphing the painting in a way.
Reviews from our customers
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