Effloresce, 2009
Painting : oil · 74 x 105 cm 29.1 x 41.3 inch
Shipping & delivery
Shipped from: United States
Delivery to: Germany , € 408
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
Secure payment • Card, Amex, PayPal...
- Credit cards (Visa, MasterCard)
- American Express
- PayPal
- Bank transfer
- Gift card
- Apple Pay / Google Pay
All payments are secured with 3D Secure validation to protect your confidential information.
Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
74 x 105 cm 29.1 x 41.3 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Framed on request Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood, and the pale creams, yellows and blues in her palette often recall bodily fluids, and the pulse of life. In this oil on paper, the crushed (and bleeding?) blossoms, not unlike Cy Twombly's peony blossom paintings, illustrate the tension between love and violence.
Presentation
Spielman uses oil paint on a canvas, paper and boards of different sizes; she works on about 40 paintings at the same time, passing from one to the other, as they take shape, and then isolates the piece to finish it. Her saturated surfaces are bright, she alternates bright and matt layers, and makes nail marks that leave scars and deconstruct the work. These engraved marks and lines represent an image and an idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and roses evokes the flesh and the blood, and the pale creams, yellows and blues of her palette recall the body fluids and the heartbeat of life.
Curiosity about what lies underneath the surface led Spielman to get inspired by corpses, and to conceptualize the underlying strata of a shape, it seemed evident for her that the process of dissection was linked to the process of painting. She is captivated by the physical act of painting, the intensity of saturated colors and human motivation.
Ted Mooney, editor for Art in America, said about Spielman's work: "Anya Spielman's mastery of her invariably attractive palette of colors can be misleading: she knows the depths of human motivation and does not hesitate to bring the observer to more ambiguous and darker places than the one which could seem obvious at the beginning. However, it can take some time to figure out how you arrived there, and to figure out how to come back. But after all, this is exactly the characteristic of all the paintings worthy of its name".
Spielman's works are part of numerous private and public collections, mainly in the United States, as well as abroad, including the permanent collection of the US State Department, which acquired an oil painting of 54 "x124" on paper, called "weightless" as part of the Art in Ambassassies (AIE) program. This work is exhibited at the Embassy of the United States in Monterrey, Mexico.
Spielman has exhibited extensively in the United States in solo and group exhibitions. She has also done international exhibitions in Canada, Uruguay and Argentina.
Her work has also been presented in several art fairs, including Select Fair NYC, Aqua Art Miami, Art Fair 21, Cologne and Bridge Art Fair in London.
NOTABLE DISTINCTIONS
2013
•"Weightless" was purchased as part of the "Art in Embassies" (AIE) program by the US State Department for the permanent collection of the United States Embassy in Monterrey, Mexico.
•Nominated to the grant for painters and sculptors by the Joan Mitchell Foundation.
2010
; Presented at the Bowery Artist Tribute of the New Museum
2007
Chosen for the Program of American Artists Abroad by the US State Department, to serve as art ambassador in Uruguay, teach and give lectures.
Reviews from our customers
All our reviews are extracted from Verified Reviews
You may also like
Anya Spielman
Painting . 105 x 74 cm Painting . 41.3 x 29.1 inch
€7,151
Daniela Schweinsberg
Painting . 90 x 60 x 3 cm Painting . 35.4 x 23.6 x 1.2 inch
€1,865
Carl-Henning Pedersen
Painting . 110 x 80 x 1 cm Painting . 43.3 x 31.5 x 0.4 inch
€6,900
Anya Spielman
Painting . 15.2 x 15.2 x 5.7 cm Painting . 6 x 6 x 2.2 inch
€1,679
Philippe Cognée
Painting . 57.5 x 76 cm Painting . 22.6 x 29.9 inch
€8,500
Edvarda Braanaas
Painting . 150 x 120 x 3 cm Painting . 59.1 x 47.2 x 1.2 inch
€8,200
Alex Senchenko
Painting . 120 x 100 x 4 cm Painting . 47.2 x 39.4 x 1.6 inch
€2,239
Anya Spielman
Painting . 30.5 x 30.5 x 2.5 cm Painting . 12 x 12 x 1 inch
€2,860
Andrey Visokinsky
Painting . 80 x 80 x 2 cm Painting . 31.5 x 31.5 x 0.8 inch
€1,023
Emily Starck
Painting . 200 x 160 x 0.2 cm Painting . 78.7 x 63 x 0.1 inch
€8,900