Vogue, 1929
Fortunato Depero   New & remarkable Artists

Painting : tempera · 25.2 x 22.5 x 0.4 cm 9.9 x 8.9 x 0.2 inch

€24,000 24 000 €

One of the last works available by this artist

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Shipped from: Italy

Delivery to: Germany , € 55

Estimated delivery: Four to five weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

25.2 x 22.5 x 0.4 cm 9.9 x 8.9 x 0.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description
Hand signed lower left: “Depero”.
Certificate of authenticity by the Archive of Fortunato Depero.
In 1929, Fortunato Depero realized some proposals for internal illustrations of the New York magazine “Vogue”. In this extraordinary painting, the Italian artist mixed his typical style with interesting déco influences.
Fortunato Depero, Vogue

Presentation

"The art of the future will be powerfully advertising art."

So wrote in the early 1930s Fortunato Depero, the futurist artist who more than any other will contribute to the evolution of advertising in Italy. His historic collaboration with Davide Campari made him a true symbol of the new industrial culture.

Painter, sculptor, set designer, costume designer and graphic designer, Depero remodeled the concept of lettering and illustration with the aim to obtain the strongest visual impact and create posters and billboards that immediately polarized attention.

Depero's advertising revolution shaped the collaborations with important Italian companies such as Magnesia and Acqua San Pellegrino, Strega liqueur, Schering pharmaceutical, and above all with Campari, for which he also designed the iconic bottle in the shape of an inverted goblet in 1932, confirming himself as a precursor of product marketing and branding as we know them today.

Depero revised and reshaped the canons of poster, focusing on visual immediacy, essentiality of forms and strength of the typeface. His gritty, aggressive and explosive style, characterized by bold coloristic combinations of spot colors, still makes him a source of inspiration for contemporary designers today.

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