R/007, 2013
Painting : acrylic, paper, collage · 100 x 63 x 1 cm 39.4 x 24.8 x 0.4 inch
€620
620 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 106
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 63 x 1 cm 39.4 x 24.8 x 0.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2022
Discount
This seller offers discount when you purchase multiple artworks.
Description
Minimalist Street Art:
Large original collage / take-off by J-Jacques André whose composition began in the street, finalized in the workshop.
Abstract composition based on flat areas of cut-out posters.
Lamination on wood support or medium prepared with gesso,
The collages are equipped with a fastening system on the back.
To be exhibited directly or possibility of being framed in an American box.
This work is available as a Fine Art proof in 30 numbered copies in a reduced format of 50X 70 cm.
Large original collage / take-off by J-Jacques André whose composition began in the street, finalized in the workshop.
Abstract composition based on flat areas of cut-out posters.
Lamination on wood support or medium prepared with gesso,
The collages are equipped with a fastening system on the back.
To be exhibited directly or possibility of being framed in an American box.
This work is available as a Fine Art proof in 30 numbered copies in a reduced format of 50X 70 cm.
Presentation
Jean-Jacques André lives and works in Fontaine / Grenoble.
DNSEP graduate from the National School of Fine Arts in Saint-Etienne. Due to its material and the creative process that begins in the street (tearing, laceration, tear) his artistic work is identified as Street Art.
"The poster allows me a great freedom of composition by the technique of collage and take off. I have always been close to the sensitivity of the New Realists and Pop Art, popular art in the noble sense, and artistic transcendence of the real, of matter and signs that run through our lives.
My first large collages from 1990 were minimalist, close to colorful musical compositions.
My new creations are deeper, loaded with stories of sensations, impressions that cross me. I have an intuitive and sensitive, almost shamanic approach to the creative act. I explore the strata of time, I dive into the memory of beings and cities.
The theme of tearing remains my favorite theme. My poster collage techniques have been enriched by other mixed techniques. "
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