Close Before Striking II, 2014
Painting : Watercolour, lead mine, collage · 50.8 x 40.6 x 0.3 cm 20 x 16 x 0.1 inch · Ready to hang
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Shipped from: United States
Delivery to: Spain , € 280
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , lead mine , collage on cotton paper
Dimensions ( cm • inch )
50.8 x 40.6 x 0.3 cm 20 x 16 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
61 x 50.8 x 2.5 cm 24 x 20 x 1 inch
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
Close Before Striking II, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame.
This artwork is a fascinating exploration of identity and introspection, structured as a grid of four distinct portraits, each uniquely altered to convey deeper psychological narratives. Set against a muted brown paper background, the piece uses mixed media, combining elements of collage and text to create an engaging commentary on the human condition. In the top-left quadrant, a male face is rendered with fine detail, accompanied by the phrase "wake up" and a reflection on the inevitability of 'things will get better.' This pairing suggests themes of hope and self-awareness. Opposite, in the top-right quadrant, another male visage emerges, this time with exaggerated, almost mechanical features, drawing attention to the concept of self-definition through external expectations, highlighted by the text about dreams and wires. The bottom-left portrait is distinctly obscured, the eyes hidden by a band of red with a sequence of numerical digits. This deliberate concealment raises questions about anonymity and identity, reinforced by the accompanying statement about remaining motionless. In the bottom-right, a woman’s face is juxtaposed with text alluding to vulnerability and openness, speaking to the complexity of self-disclosure. The artwork's strength lies in its ability to evoke introspection, encouraging the viewer to consider the multifaceted nature of identity. Through its innovative use of portraiture and textual narrative, it challenges perceptions, inviting a dialogue about who we are beneath the layers.
Presentation
Roberto Fonfría lives and works in Miami, Fl. He was born in Caracas, Venezuela in 1969. Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood.
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