Woods of Strife 10, 2021
Yasuo Kiyonaga   New & remarkable Artists

Photography : color edition, pigment ink, inkjet, digital, paper · 48.3 x 32.9 x 0.1 cm 19 x 13 x 0 inch · Ready to hang

$934 934 $US
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Shipped from: Japan

Delivery to: United States , $ 76

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About the artwork

Type

Photography : numbered and limited to 5 copies

5 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

48.3 x 32.9 x 0.1 cm 19 x 13 x 0 inch Height x Width x Depth

Artwork dimensions including frame

60 x 44.5 x 2 cm 23.6 x 17.5 x 0.8 inch

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Description
North of Kyoto. I visited the forest of Mount Kurama. Without a word, the trees and plants of the forest pierce the hard earth, crush the rocks to take root... They germinate and grow their branches and leaves. I shudder at this endless struggle that I witness in silence. I try to join them, but they reject me. Feeling alienated, I press the shutter. I took these images to get closer to the flame of the forest once again. Yasuo KIYONAGA *Mount Kurama / Kurama-dera Mount Kurama located in northern Kyoto, is a sacred mountain that has existed for more than 1,200 years. Kurama Temple (Kurama-dera) was founded by Gantei (Chinese monk) in 770. Mount Kurama has always been considered "the deepest nature and closest to Kyoto." This mountain is home to an interconnected network of animals and plants that form an ecosystem.

Landscape

Religious

Mountain landscapes

Environmental art

Japanese Art

Forest

Japan

Trees

Yasuo Kiyonaga, Woods of Strife 10
Japan  • 1948
153 followers

Presentation

A photographer based in Tokyo, Kyoto, and Paris. 

Born in 1948 in Kagawa, Japan. 

In his photographic work, Yasuo Kiyonaga interprets nature, villages, cities, people, and everything else in our lives in surrealistic ways. The subjects captured in his viewfinder are freed from their original contexts and given new shapes and significances.

Many of his works are associated with the abstract arts of cubism and surrealism. 

His output is not limited to photography. Using his unique skills, he beautifully combines seemingly incompatible concepts such as photographs and paintings, nature and the artificial, two-dimensional and three-dimensional, past and future, and dreams and reality, and sublimates them into art.

In 1966, strongly influenced by the two photographers Jean-Eugène Atget and Aaron Siskind, Yasuo Kiyonaga began studying photography. In 1970, after graduating from a college photography program, he started working for Recruit Co., Ltd. as a staff photographer, who mainly photograph the workers in Japan. In 1980, he left the organization and established his own company, SHC, which specializes in the planning and production of corporate communication content which was not well known at the time.

Yasuo Kiyonaga focused on the field of photojournalism for a long term and grew SHC into a company with 150 employees. Even today, this company remains an industry leader. In addition to its core business, it is also boldly taking on new challenges that are ahead of the times. The ideas, critical eye, and decision-making skills honed through these experiences have become the source of his creative activities.

In 1995, he resumed his career as an artist and opened a series of galleries in Tokyo, Kyoto, Paris, and online to display his works and those of other  photographers. He is the owner of the online photo galleries Kyoto Museum of Photography, as well as the physical galleries Kyoto Museum of Photography,  Gallery Artisan Tokyo and Gallery Japanesque Paris.

His works have been exhibited across Japan, including Spirit of Forest at Epson Imaging Gallery Epsite (2010), Hanoi × 6% at Kintetsu Department Store Abeno Harukas Art Gallery (2020), and Identity and Two Landscapes at Kyoto Museum of Photography Gallery Japanesque (2020). 

Yasuo Kiyonaga has published several books, including Leslie (1999), Spirit of Forest (2007), Paris Sketch (2012), the Japanese Beautiful Landscapes series (from 2008), Japanese Tools (2015), and Ujo (Senses of Rain) (2016). 

As part of his lifework, he has photographed ancient capitals, rural villages in Japan and other countries and compiled his pictures into books.

He is a member of the Japan Professional Photographers Society (JPS).

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