#3. From "La Piedra Sustituta II" Series, 2020
Photography : color edition, archival pigment print · 101.6 x 59.9 x 0.3 cm 40 x 23.6 x 0.1 inch
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Shipped from: United States
Delivery to: Italy , € 279
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 59.9 x 0.3 cm 40 x 23.6 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
#3, 2020 by Jose Sierra From "La Piedra Sustituta II" Series Archival Pigment Print on Hahnemühle paper
Image size: 40 x 23.6 in. Edition of 10 + 1AP Unframed
Additional sizes are available. Small: 24 in. H x 14.1 in. W. Edition of 10 + 1A
This striking artwork features a nude figure draped over rugged rocks, creating a powerful contrast between vulnerable human form and harsh, jagged stone. Positioned prominently is a dynamic, pink fabric sculpture, twisted into a cross shape and mounted on a metal pole, piercing dramatically through the scene. The softness of the fabric juxtaposes with the solidity of the rocks, symbolizing a clash between fragility and strength. The earthy tones of the backdrop emphasize the natural elements, enhancing the raw, visceral impact of the work. This piece challenges traditional notions of balance and stability, evoking a visceral emotional response with its bold interplay of textures and forms. Its unique composition and thematic depth invite viewers to explore themes of struggle, resilience, and transcendence.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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