Untitled II and VII. Diptych, 2016
Photography : archival pigment print · 39.9 x 119.9 x 0.3 cm 15.7 x 47.2 x 0.1 inch
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About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
39.9 x 119.9 x 0.3 cm 15.7 x 47.2 x 0.1 inch Height x Width x Depth
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Credentials
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Description
This artwork presents a striking diptych contrasting light and shadow. On the left, a figure stands against lush greenery, bathed in natural light that accentuates their features and the verdant textures around them. The earthy tones of their attire harmonize with the vibrant foliage, creating a palpable connection between human and nature. On the right, the scene shifts to a dramatic red hue, enveloping another figure in shadow and mystery. The crimson tones evoke a sense of nocturnal intrigue, emphasizing the interplay of light and darkness. This composition masterfully explores dual themes of presence and concealment, inviting viewers to ponder the dialogue between visibility and obscurity. The juxtaposition of these visual elements serves as a compelling narrative on identity and perception, making it a thought-provoking piece.
This work is the result of an artistic residence outside his "study".The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of Huila, Colombia. It is important to highlight the practice session of watching over and recording each detail of this space to get a correct reading between the aesthetics of the place and the body. Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge traditional norms. His art often merges personal identity with broader cultural commentary, as seen in his notable works like "Anti-Personnel Grids" and "Self-Portrait." Sierra's pieces are a bold fusion of urban art and intimate self-exploration, reflecting his dynamic engagement with contemporary culture.
From La costilla roja (The red rib) Series. Archival Pigment Print Dimension: Overall size: 15.7 x 47.2 in. Individual Size: 15.7 x 23.6 in. Edition of 10 + 2AP Other sizes: 23.6 x 70.8 in. Edition of 10 + 2AP
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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