#4. From "La Piedra Sustituta II" Series, 2020
Photography : color edition, archival pigment print · 101.6 x 62 x 0.3 cm 40 x 24.4 x 0.1 inch
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Delivery to: Italy , € 232
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 62 x 0.3 cm 40 x 24.4 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
#4, 2020 by Jose Sierra From "La Piedra Sustituta II" Series Archival Pigment Print on Hahnemühle paper
Image size: 40 in. H x 24.4 in. W Edition of 10 + 1AP Unframed
More Editions & Sizes Small: 24 in. H x 14.6 in. W. Edition of 10 + 1AP
This striking artwork presents a nude figure kneeling on a weathered rock, blending human vulnerability with surreal elements. Emerging from the figure's neck area is a metallic rod crowned with a pink, origami-like bird, capturing a striking contrast between the organic form and the crafted object. The soft, flesh-toned background emphasizes the figure’s muscular contours and the tactile solidity of the rock, creating a dramatic juxtaposition. The composition explores themes of identity and transformation, challenging perceptions of the body in space. The bird, a symbol of freedom and transcendence, intriguingly intersects with the human form, suggesting a narrative of metamorphosis. The stark minimalism of the setting focuses attention on the enigmatic interplay between nature and artifice, inviting contemplation of the boundaries between reality and imagination.
"La Piedra Sustituta" Series Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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