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Ecume II, 2022
Romain Liverato  

Photography : fine art print, mixed media · 40 x 50 x 5 cm 15.7 x 19.7 x 2 inch · Ready to hang

€1,500 1 500 €
Delivered in time for Christmas

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Shipping & delivery

Shipped from: France

Delivery to: Germany , € 82

Estimated delivery: Two to three weeks

Free returns within 14 days, full refund

Authenticity guaranteed

Sold with certificate of Authenticity from the artist

Invoice from the artist Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

40 x 50 x 5 cm 15.7 x 19.7 x 2 inch Height x Width x Depth

Artwork dimensions including frame

43 x 53 x 6 cm 16.9 x 20.9 x 2.4 inch

Sold by

Independent artist

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description
The artist seized by the slightly golden glow of the Moon in the foam of the ocean, he wanted to enhance this feeling by giving the latter the leading role and by transcribing its light through the use of golden smalti.

Photograph printed on Hahnemuehle 350g Museum Etching brand fine art paper, Venetian glass tesserae (smalti) in gold leaf and classics, on wooden support, American wooden case
Romain Liverato, Ecume II
France  • 1982

Presentation

Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.

Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.

Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.

Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).

Reviews from our customers

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