Warming I version M, 2022
Photography : HD print, fine art print, mixed media · 40 x 50 x 4 cm 15.7 x 19.7 x 1.6 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 155
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
HD print , fine art print , mixed media on wood
Dimensions ( cm • inch )
40 x 50 x 4 cm 15.7 x 19.7 x 1.6 inch Height x Width x Depth
Artwork dimensions including frame
45 x 55 x 5 cm 17.7 x 21.7 x 2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
This foreground can be seen in two ways, either as a "slice" view of the subsoil drying up while the surface still offers an appearance of sanity, or as literally a part of this hill which is already dried up.
This work is also inspired by the wanderings of the artist during which he was able to observe that this phenomenon occurs even in regions which had hitherto been spared, which is the case in this photograph where it is apparently of a green and healthy meadow. This tree is certainly the one that hides the forest from an even darker reality.
Photograph printed on Hahnemuehle 350g Museum etching brand fine art paper, mounted on a wooden support, Venetian glass tesserae (smalti)
Presentation
Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.
Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.
Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.
Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).
Reviews from our customers
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